Directed by:
J.C. ChandorCinematography:
Roman VasyanovComposer:
Rich VreelandCast:
Ben Affleck, Oscar Isaac, Charlie Hunnam, Pedro Pascal, Garrett Hedlund, Adria Arjona, Reynaldo Gallegos, Sheila Vand, Christine Horn, Louis Rodriguez (more)VOD (1)
Plots(1)
Loyalties are tested when five former special forces operatives reunite to steal a drug lord's fortune, unleashing a chain of unintended consequences. (Netflix)
Videos (2)
Reviews (12)
A boyish spectacle of the Michael Caine's Play Dirty / John Frankenheimer's The Train / Kelly's Heroes type. Clearly written characters, a clearly given situation, and a clear plan that just has to get messed up somehow – not once and not a little. The literally stellar cast pulls it together nicely and no one sticks out, the direction also sticks pleasantly to the ground and makes the action and pure adventure scenes as believable as it gets. Plus, I liked that the film managed to surprise as well.
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Netflix pulls off a macho flick that switches genres from jungle heist, steamy relationship drama and survival adventure, and surprisingly it works. The cast is awesome and everyone involved is great: Oscar Isaac, Charlie Hunnam, Ben Affleck, Pedro Pascal and the unknown Garrett Hedlund, definitely an admirable lineup for Netflix. There's not that much action, but when it does come it's pleasantly bloody and clear. The suspense works, the locations are beautiful, there's one unexpected twist and an unexpected denouement at the end. I had a great time and it's a bit of a shame that we couldn’t see this film in the cinema. Netflix is headed in the right direction and I'm rooting for them. 80%
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I was expecting more intense action scenes, which didn’t quite materialize, and instead, I got a solid manly drama focusing on dialogue and, occasionally, some shooting. The opening scene with the helicopter over the dirty streets, accompanied by Metallica’s music, really got me pumped. The five main characters were extremely likable; the actors themselves are so charismatic that transferring that to their characters seemed easy. The heist happened in the first half. I give the film a big thumbs up for the realism of the action scenes—no emptying of magazines, just effective shooting with single, precise shots, checking room corners, basically things you’d expect from seasoned veterans on the battlefield (though not every film delivers this, rest assured). Then came the part of the film that I’d personally call...HOW EVERYTHING CAN GO WRONG. Whether it was the not-so-thought-out moves of the characters or just plain bad luck (the scene with the farmers significantly affected the plot), everything started to go south. The filmmakers also threw in a major twist that shuffled the deck. I’d usually be annoyed by an open ending, but here it fit well; the final scene with the piece of paper was satisfying. I enjoyed it; the acting was above standard, and for an action film, it had a decent plot that definitely didn’t play second fiddle. I give it 82%.
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Triple Frontier will certainly end up among the most popular and best respected genre titles of the year. It’s a proudly masculine story that perhaps doesn’t expose its characters much beyond the limits of their own morality and that at times feels too telegraphic, but one that doesn’t stumble in any scene, has very well written dialogues and pulls the viewer into the events so intensively that I would love to see it in a cinema. A very good job with great actors in a rather fresh setting and with a final scene that has the courage to leave things partially unresolved. I would like to see something like this at least every six months.
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From a seemingly inconspicuous genre, a dense and thematically pleasant (anti?) military ride with surprising twists, related unexpected mood changes and fast pace has emerged. By shooting something like this, Peter Berg has taken the game of whispers to a totally new level.
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