Directed by:
Pedro AlmodóvarScreenplay:
Pedro AlmodóvarCinematography:
José Luis AlcaineComposer:
Alberto IglesiasCast:
Antonio Banderas, Elena Anaya, Marisa Paredes, Blanca Suárez, Jan Cornet, Roberto Álamo, Fernando Cayo, Bárbara Lennie, Eduard Fernández, José Luis Gómez (more)VOD (5)
Plots(1)
A plastic surgeon seeks to overcome the grief of his late wife's disfigurement in a fiery car crash by inventing skin that's impervious to injury. (Netflix)
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Reviews (8)
A very spicy movie. It takes a while to warm up, a little boring even at first - lots time and little action. But then I began to get lost, but that was when I began finding my feet. It was chilling watching the moments with Robert turning Vincent into Vera and I began completely engrossed. This movie is a quality piece of work which I would categorize as psychological. It’s true that it’s a little rushed at the end, but that didn’t bother me as much as the dragged out beginning, which is the only reason I don’t give this a full set of stars.
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"The Skin I Live In" is definitely not a typical Almodóvar film, but it fits into his filmography. This is due to the excellent performances that are sometimes even surreal, which is influenced by the nature of the story itself. This is definitely something that will not leave you indifferent, and you will keep thinking about it. This film definitely deserves it because there are scenes that you will carry in your mind and you won't be able to forget them – like the guy in the tiger costume.
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I used to love Pedro Almodóvar's work. Nowadays my interest in his films has waned somewhat, but I do occasionally watch something. The Skin I Live In has a well-written script, which puts the film on par with Almodóvar's best work. However, the subject matter is so controversial and the central idea so difficult for me to stomach that I can hardly imagine myself ever resorting to watching it again in the future. (75%)
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The psychologically powerful and excitably deviant theme of The Skin I Live In is rendered as
emotionless, noble cinematic art. It shocks the viewers, but they are unable to relate to the story and
they never become mentally unsettled by the film. What is left is “only” enthusiasm for admirable
filmmaking perfectionism and elegance. Antonio Banderas is brilliant as a dark doctor without a pinch of medical
or human ethics, and Elena Anaya is beautiful. The Skin I Live In is a remarkable and in some ways
exceptional work.
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A very wacky, but at the same time very impressive, purely original affair. A bizarre story complemented by an even more bizarre Banderas pederast who is wonderfully demonic in his role (though still compared to the likes of Hannibal...). The visual composition is certainly worth mentioning among the individual details, and it looks restrained and aesthetic, which contrasts greatly with the overall story, to which such adjectives would not fit too well. Still, it cannot be denied that it has a solid structure, a strong directorial signature, and a very specific atmosphere, which is really very unusual and takes the whole film to a higher level of originality and perhaps even a certain uniqueness compared to other productions. And from this point on, I'm simply not going to use the phrase lightly: "I've been a bit out of my skin lately" :))
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