Directed by:
Jason ReitmanScreenplay:
Diablo CodyCinematography:
Eric SteelbergComposer:
Rolfe KentCast:
Charlize Theron, Patton Oswalt, Patrick Wilson, Elizabeth Reaser, Emily Meade, Collette Wolfe, Orlagh Cassidy, Jill Eikenberry, Ella Rae Peck, Mary Beth Hurt (more)VOD (4)
Plots(1)
A down-and-out writer hatches warped plans to win back her high school boyfriend and connects with a former classmate who also can’t move on from the past. (Netflix)
Videos (23)
Reviews (6)
Charlize Theron was great here, I have to give her that. But Jason Reitman disappointed me a lot with this film. It wasn’t much fun, it was rather serious. When I realize what the story was about, I don’t remember any comedic moment that would stand out. Rather a cruel reality and the life of a devastated girl who returned to reality. Charlize is coming home after many years and she thinks everybody will shit their pants because of her. Well, they won’t and they even give her hell. The open ending, however, suggested that it’s not the end of the world, and that you must keep going forward even despite your personal screw-ups and defeats.
()
One of those films I find hard to evaluate as I like it and dislike it at the same time. The film’s positives include Charlize Theron, a depressing atmosphere at the beginning, and the disabled weirdo with a garage distillery. The negatives include a gradual loss of the depressing atmosphere, an ugly dog, and the realization that I didn’t know what the point of the film was once it was over.
()
Despite the names that it brings together, this FILM for single MILFs is quite dull. Charlize is (once again) damn nice to look at and it’s fun to get to know her character, which – along with her interactions with her chosen one, Patrick Wilson – is the film’s driving force. But with the characters in the small town to which they return from “the big world and success”, the second half could definitely have made for a more interesting, multi-layered relationship storyline that would have enhanced the main motif. Despite the celebration being the film’s best and, in fact, only memorable scene, it makes Young Adult narratively commonplace, which you wouldn’t expect from this film “because there must surely be more to it”.
()
Watching an hour and a half of a drunk Charlize Theron, who is also extremely annoying and wacky here – is something you just don't want to do. The reason Reitman and Cody worked their way up to that 2 stars for me was ultimately because I was oddly interested to see how the whole thing would turn out and if it could get any worse. In fact, the worst part is that after watching Young Adult, I started to like just about all the villagers in the world. Mavis seemed like the prototype of the ultimate bitch. If there are any emotions in this creative despair, they are bad, primal, and terribly cheap. In fact, the whole thing reminded me remotely of Woody Allen. After a triple dose of electric shocks, a similarly romantic story would have presented a creative challenge for him.
()
The weakest Jason Reitman film I've seen so far. But still much better than many others who try to say the same thing and fail for various reasons. Young Adult doesn't have much in common with comedy, which surprised me at first, given the director's previous efforts, where bursting into laughter was no problem at all. But what the script took away from the humor, it added to the drama. And that is good. The film is really depressing in places, but I am not one of those who is bothered by the main (well acted) character. I felt extremely sorry for the poor woman in the first, second and third row. Sad, but really "as in life". Could that be why?
()
Gallery (30)
Photo © Paramount Pictures France
![Young Adult - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/159/504/159504846_de21fb.jpg)
Ads