Lockout

Terribly boring. In the film, Guy Pearce does try to spread love and understanding in the style of John McClane, but the script does not give him enough sharp one-liners or enough straightforward situations. The number of explanatory captions at the beginning should have made someone think about it and rewrite the whole script in a striking 80's variation. Crossing a conspiracy poodle with an action doberman just doesn't work. (05/28/2012)

Explosive, uninhibited, breathtaking, indefensible. And all that much more irresistible. Guy Pearce has found his new career challenge and alongside the increasingly beautiful Maggie Grace, he has proven to be a first-class stud. Thanks to the relentless pace of the lines and the killer tempo, Lockout is a blast that locked me in for an hour and a half and in the end spat me back into a world where we'll probably have to wait a few more years for space prisons. Pure action fun in its most positive form. (07/08/2012)

Terrible, horrendous, atrocious, and I could go on adding words to the list to characterize this piece of crap. The movie doesn’t make any sense whatsoever. It has no ambition of being anything other than an average sci-fi B-movie. There’s no way it can surprise you. After reading the description of its “plot”, everyone can get an idea of what utter nonsense it will be, and it ends up being a huge failure. Some of the digital effects were definitely made in 2012, only B.C. Nevertheless, through some sort of an accident, Pearce appears in this movie, and has a great line for any situation, followed by even better lines, so he was a guarantee that I wouldn't go completely nuts during those 90 minutes and I managed to watch the movie till the end. Anyway, Besson should consider changing careers, because this is pathetic. (PS: The movie features the fastest free fall in human history, which would put Baumgartner and Red Bull to shame.) (05/02/2013)

An incredibly cheap and essentially stupid movie, but it's beautiful that the people behind it are aware of it and are having as much fun as the audience, which unbelievably stares at the screen every few minutes. I didn't expect Guy Pearce to be this cool and for Maggie Grace to have such balls. Surprise on all fronts, or in other words, even with a few bucks, you can a pretty decent action that doesn't rely on a dumb script, but rather on the charisma of the main actors and a barrage of arrogant lines. (07/07/2012)

Straightforward and thoroughbred entertainment that looks like it came out of the eighties. Guy Pearce’s dry lines were the best that I’ve heard in a long time and killing convicts becomes funny at the moment when they depart this earth by triggering voice-triggered bombs with an F-word on their tongue. Maggie Grace looks super and overall she is really nice. The villain most deserving a mention is the main nutter, brother of the main capo, played excellently by Joseph Gilgun. The story is a variation on old Carpenter movies, crossed with Die Hard, with an ending that will have your eyes goggling. A laid-back relaxing ride. (05/27/2012)