Directed by:
J.A. BayonaScreenplay:
Sergio G. SánchezCinematography:
Oscar FauraComposer:
Fernando VelázquezCast:
Naomi Watts, Ewan McGregor, Tom Holland, Samuel Joslin, Oaklee Pendergast, Marta Etura, Sönke Möhring, Geraldine Chaplin, Ploy Jindachote, Johan Sundberg (more)VOD (4)
Plots(1)
Maria (Naomi Watts), Henry (Ewan McGregor) and their three sons begin their winter vacation in Thailand, looking forward to a few days in tropical paradise. But on the morning of December 26th, as the family relaxes around the pool after their Christmas festivities the night before, a terrifying roar rises up from the center of the earth. As Maria freezes in fear, a huge wall of black water races across the hotel grounds toward her. Based on a true story, THE IMPOSSIBLE is the unforgettable account of a family caught, with tens of thousands of strangers, in the mayhem of one of the worst natural catastrophes of our time. But the true-life terror is tempered by the unexpected displays of compassion, courage and simple kindness that Maria and her family encounter during the darkest hours of their lives. Both epic and intimate, devastating and uplifting, THE IMPOSSIBLE is a journey to the core of the human heart. (official distributor synopsis)
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Reviews (12)
As long as it focuses on the civil opening and subsequent perfect audiovisual experience, J.A. Bayona scores with practically every shot. And yet the touching moments in the second half and them missing each other in the rescue center, to my own surprise, ended up passing me by as well. I can only see and acknowledge the strength in The Impossible; I don't actually feel it. That said, it doesn't detract from the amazing performances of the entire family.
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It hit me very hard. Maybe I’m getting soft in my old age. Perfectly played characters, neither Naomi Watts nor Ewan McGregor are trying to be falsely nice, the kids (like in reality) are sometimes begging for a spanking, but things rarely get out of hand. You can’t tell that when the wave washes everything away that it’s special effects. I don’t understand how they could film this so well without demolishing a hotel and defiling a bit of Thailand coastline. The introductory mayhem is replaced by emotionally draining search for the family split up by the catastrophe. And you know how everybody lies, saying they didn’t cry at the end of Titanic? That applies here for a whole half of the movie. The Impossible is a sincere tear-jerker with a powerful ending. Bayona is a director I will have to look out for in the future. His style turned a regular disaster movie into a breath-taking event where chills run up and down your spine, you feel nauseous and at the end you’re be so relieved that later you will cuddle up tight to your better half, female or male. I’m scared too.
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A painful and thorough reconstruction of a great natural catastrophe, delivered mainly through the physical and mental suffering of the protagonists, with whom the viewer feels for until the last second, clinging like a tick to that sliver of hope that is the only thing that helps to keep their sanity in such a situation. I haven't kept my fingers crossed for film characters that much in a long time, and perhaps no film has ever made me cheer not for nature but for helpless and suffering people. When you watch Naomi Watts and see how incredibly real her torn and bruised face looks and every cry of pain feels, you can't help but put your feet up on the sofa and keep watching, even though there is no doubt about the "happy ending". Director Bayona doesn't have to worry about work, because here he squeezed all the juice out of the premise, and judging by the praise from the real people who were there, he squeezed it in a clearly correct and effective way :-) 80%
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Due to the lack of a longer introduction (Titanic) or continuous flashbacks (127 Hours) that would tell us more about the characters and make us relate to them, I just wasn’t all that emotionally invested in The Impossible. Watching the characters screaming the names of their loved ones and falling into their arms in protracted, dramatically edited scenes didn’t help in this respect. The film is well made and decently acted, but it is rather formulaic, without a powerful message or well-developed psychological basis of the characters. The main musical motif is beautiful, but they didn’t have to use it every ten minutes.
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A very, very, very good film. Strong, sensitive, appropriately dramatic and perhaps even authentic (or so it seemed). The performances of the adults and children were top-notch, the director conjured up almost "Malick-esque" moments at times (the meditative music also helped) and I blinked only a few times during the whole 113 minutes to make sure I would avoid missing anything. I really liked the fact that we learned only the bare essentials about the main characters at the beginning, and that the script avoided any flashbacks to the happy past or shots of the grieving relatives somewhere on the other side of the world. It is a pity that the DVD was a bit sloppy, because instead of the announced Czech subtitles and Czech subtitles for the deaf, it offered only the latter, and so I found the messages in square brackets quite distracting. For example, before the wave hit I read [strange sounds...] and then countless times [music...].__P.S. Do not read the content!
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Gallery (71)
Photo © Summit Entertainment
![The Impossible - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/163/863/163863532_42f745.jpg)
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