Directed by:
Steve McQueenCinematography:
Sean BobbittComposer:
Harry EscottCast:
Michael Fassbender, Carey Mulligan, James Badge Dale, Nicole Beharie, Jennifer Butler, Lucy Walters, Elizabeth Masucci, Alex Manette, Hannah Ware (more)VOD (1)
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A drama centered on 30-something Brandon, his myriad sexual escapades, and what happens when his wayward younger sister moves in with him. (official distributor synopsis)
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Reviews (10)
Although McQueen holds tremendous directorial promise for the future, he'd probably stumble a bit in this case if it wasn’t for Fassbender. This film, like few others, focuses on the psychology and nature of the individual, which essentially dictates the entire atmosphere and reflect all the moods and thoughts that surround McQueen's sexual experiment. And Fassbender sacrifices so much for his extremely difficult role that in some scenes he’s left standing, giving a performance worthy of at least an Oscar nomination. Some of the shots attacking the boundaries of porn are perhaps too violent, and the viewer should be prepared for a number of almost lyrical (I really can't think of another term) passages, but otherwise what we have here is a perfectly executed intimate drama that explores eroticism and passion from the opposite point of view, unfortunately often present in life. If there's ever going to be an adaptation of “50 Shades of Grey”, it should be a job only for McQueen. :) 85%
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Whether you wake up alone in the morning, next to a steady partner, or with someone different every day, Shame attacks the core of each of us. Brandon's behavior may start out as just a casual walk with various sexual undertones, but the last half hour takes all the psychological weight and throws it into the viewer's lap. The mental pain, which increasingly radiates from Michael Fassbender's eyes, didn't repel me or destroy me, but instead incredibly fascinated me. A film that only in the last seconds definitively proves how complex and deep it is.
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Shame is a very realistic, at times almost salacious, probe into the life of a man who is obsessed with sex, unashamed of it, but circumstances demand that he re-evaluate his current (and really empty) life. The performances are breathtaking, with both Michael Fassbender and Carey Mulligan tackling their roles with bravado and verve. While the story isn't exactly perfect (at least for me), it is often chilling, mainly because of the level of authenticity. I must also commend Harry Escott's seemingly bland but all the more depressing score. All in all, a film that, while it didn't blow me away or put me on my ass (as many have), is still worth a watch.
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Emotional deprivation, bandaged in vain with more than just casual sex, can never do anyone any good. I liked that Steve McQueen didn't mess around with it – he just took a knife, stuck it in the flesh, and gouged and gouged until the wound was so gaping it could hardly be healed. I am referring now to the overall feeling of the film and the really very "nice" fate of the main character. An attitude and a world in which love and moral principles have completely disappeared, leaving only something dubiously empty – physically satisfying for the first few tries, but utterly unable to quench the desperate thirst for mental satisfaction. In some ways, this is also how you could characterize the group of (a)socials (I deliberately did not say (a)social group) that Steve McQueen targets in his second film. Michael Fassbender is convincing and his acting is really excellent. Yet rather than being an "intimate and personal look at the life of a very sexually frustrated man", the whole film struck me as a parallel to Western, consumerist society that simply doesn't know what to do, so it seeks out all sorts of hobbies. Of course, it will be slightly more complicated in the end (I wouldn’t have it any other way, otherwise they wouldn't make dramas, only comedies :)) My point is more to suggest that even an ordinary bumpkin duo with below average incomes can be many times happier and more mentally balanced than many corporate elites. When you have money and a lean little apartment with an even leaner view in one of the busiest cities in the world, you just think about how and what way to escape boredom:)
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I won't claim that this is a film that everyone will love. With his film "Hunger," Steve McQueen - no, not the legendary and late actor - made it clear that his films would not be simple. After a depressing hunger strike, we now have Michael Fassbender in the lead role again, who will not suffer from hunger but from sexual desire. This is not just a longing, but a genuine craving. He is willing to do it with any woman, anywhere. No, he is not willing, he actually needs it. We follow a man who is addicted to sex, a man who sinks deeper and deeper into human relationships because of it. Among his colleagues, he wears a mask that he never takes off, it only falls off in front of his own sister. Only with her does he understand who he is actually becoming. The film has many strong scenes, but one in particular stuck in my mind. Brandon, whom Michael portrays, really does it anywhere and in any way, but when it comes to making love based on emotion, perhaps love, he is unable to consummate the relationship. Is this our society? Is love and emotion disappearing, and are we becoming just those who need to fulfill their basic needs? In this sense, McQueen's indictment is perfect. It is explicit, it does not beautify anything, it cuts to the core. McQueen portrays himself as a great authorial creator from whom we can expect a lot more depressing content. Most people will find his "Shame" difficult to accept, but it is definitely worth it. More: http://www.filmovy-denik.cz/2012/08/lode-stud-zoo-marylin-pulnoc-v-parizi.html
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Photo © Momentum Pictures
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