Directed by:
Steve McQueenCinematography:
Sean BobbittComposer:
Harry EscottCast:
Michael Fassbender, Carey Mulligan, James Badge Dale, Nicole Beharie, Jennifer Butler, Lucy Walters, Elizabeth Masucci, Alex Manette, Hannah Ware (more)VOD (1)
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A drama centered on 30-something Brandon, his myriad sexual escapades, and what happens when his wayward younger sister moves in with him. (official distributor synopsis)
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Reviews (11)
Shame is a very realistic, at times almost salacious, probe into the life of a man who is obsessed with sex, unashamed of it, but circumstances demand that he re-evaluate his current (and really empty) life. The performances are breathtaking, with both Michael Fassbender and Carey Mulligan tackling their roles with bravado and verve. While the story isn't exactly perfect (at least for me), it is often chilling, mainly because of the level of authenticity. I must also commend Harry Escott's seemingly bland but all the more depressing score. All in all, a film that, while it didn't blow me away or put me on my ass (as many have), is still worth a watch.
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My low rating is not related to the shock of sexually explicit scenes or the lack of even minimal identification with the main character. It stems from the fact that Brandon was uninteresting to me from the beginning and I quickly felt from the film an artificially created situation and a superficial story. Simply put, I was bored and found the movie detached. Overall impression: 25%.
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I won't claim that this is a film that everyone will love. With his film "Hunger," Steve McQueen - no, not the legendary and late actor - made it clear that his films would not be simple. After a depressing hunger strike, we now have Michael Fassbender in the lead role again, who will not suffer from hunger but from sexual desire. This is not just a longing, but a genuine craving. He is willing to do it with any woman, anywhere. No, he is not willing, he actually needs it. We follow a man who is addicted to sex, a man who sinks deeper and deeper into human relationships because of it. Among his colleagues, he wears a mask that he never takes off, it only falls off in front of his own sister. Only with her does he understand who he is actually becoming. The film has many strong scenes, but one in particular stuck in my mind. Brandon, whom Michael portrays, really does it anywhere and in any way, but when it comes to making love based on emotion, perhaps love, he is unable to consummate the relationship. Is this our society? Is love and emotion disappearing, and are we becoming just those who need to fulfill their basic needs? In this sense, McQueen's indictment is perfect. It is explicit, it does not beautify anything, it cuts to the core. McQueen portrays himself as a great authorial creator from whom we can expect a lot more depressing content. Most people will find his "Shame" difficult to accept, but it is definitely worth it. More: http://www.filmovy-denik.cz/2012/08/lode-stud-zoo-marylin-pulnoc-v-parizi.html
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In this movie, the second most remarkable role appeared that I have seen this year. After Ryan Gosling in the movie Drive, now Michael Fassbender showed what a real acting performance is, for which he would deserve at least two Oscars. For his acting performance and the sacrifice he gave to the movie. This sacrifice is really SACRIFICE. Shame is an incredibly hard-hitting film. Psychologically demanding to watch, but all the more believable on the characters. It tells a classic story of how we complain when we don't have something and how we complain when we lack something, thrown into extremes. Excellent story, but you need to not be afraid and look at the topic of sex from a slightly different perspective...and most importantly, want to understand.
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Whether you wake up alone in the morning, next to a steady partner, or with someone different every day, Shame attacks the core of each of us. Brandon's behavior may start out as just a casual walk with various sexual undertones, but the last half hour takes all the psychological weight and throws it into the viewer's lap. The mental pain, which increasingly radiates from Michael Fassbender's eyes, didn't repel me or destroy me, but instead incredibly fascinated me. A film that only in the last seconds definitively proves how complex and deep it is.
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