Directed by:
Chan-wook ParkScreenplay:
Wentworth MillerCinematography:
Chung-hoon ChungComposer:
Clint MansellCast:
Mia Wasikowska, Matthew Goode, Nicole Kidman, Jacki Weaver, Dermot Mulroney, Alden Ehrenreich, Lucas Till, Ralph Brown, Judith Godrèche, Phyllis Somerville (more)VOD (1)
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After India's (Mia Wasikowska's) father dies in an auto accident, her Uncle Charlie (Matthew Goode), who she never knew existed, comes to live with her and her emotionally unstable mother Evelyn (Nicole Kidman). Soon after his arrival, she comes to suspect this mysterious, charming man has ulterior motives, but instead of feeling outrage or horror, this friendless girl becomes increasingly infatuated with him. (20th Century Fox Home Entertainment)
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Reviews (9)
CONTAINS SPOILERS, BY NO MEANS READ BEFORE WATCHING. The best and yet most bizarre thing about this work is the brutal contrast. On the one hand, such poetic, imaginative, subtle, and wonderfully sensitive direction; on the other, a pretty brutal portrait of a homicidal maniac who takes his responsibility to family tradition very seriously and of course has the best interest of preserving the "family lineage" (or more aptly, all that's left of it). I hadn't researched anything about this film beforehand, all I knew was that it was directed by Park Chan-wook and starred Mia Wasikowska and my lifelong platonic love Nicole Kidman. It's certainly worth mentioning the particularly oppressive atmosphere, which has a slight erotic tinge in places, but because Park Chan-wook is very watchable this time around, you can tell from various little details and clues that the eroticism is really an afterthought here. In the end, this is an extraordinarily perverse film that depicts the darkest aspects of human existence in a captivating and visually extremely inventive way, degrading man himself to some mere instinctive essence. You know, I've often wondered why it is that people have children in the first place... And the conclusion I've come to... is that at some point in our lives we realize that things are fucked up beyond repair... So we decide to start again. Wipe the slate clean. Start fresh... And we have children... Little carbon copies we can turn to and say, "You will do what I could not... You will succeed where I have failed...," Because we want someone to get it right this time.
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Awesome! Such a perfectly polished film is something we see only once or twice a year. It was pure joy from the first to the last minute, everything is where it should be. I won’t even criticise the script much. The movie relies on human irrationality and instinct, so the “illogical” behaviour of the characters can be easily excused. Brilliant in every way.
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Park Chan-wook is synonymous with flashy but hollow mannerisms. Looking at the cut scenes, it was clear to me that the whole thing must have struggled mightily to make it more digestible in a way other than just overblown ideas in the style of moving manga panels. But if you're intrigued by Emo Wasikowska or need to tick off Nicole Kidman working with a fashion director (and you need more than her and Lars von Trier), go right ahead and watch it. If you're looking for inspiration for evening masturbation, surprisingly, this is also the way to go, but only if you like leather belts.
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I haven't had the pleasure of Park Chan-wook's highly acclaimed "revenge trilogy" until now, so the Stoker were a big unknown for me in terms of directorial style and poetics. I have to admit that visually it was a very well done job, involving the use of tracking shots, close-ups, no shortage of colour work and production design - just quality. The acting trio in the lead roles - Mia Wasikowska, Nicole Kidman and Matthew Goode - performed convincingly, with grace, and at times I wondered who was actually the biggest nutcase on the set. Yet, as much as I'm praising the film here now, it still didn't leave me with anything profound to remember or return to. In short, a film that is steeped in flashy visuals and acting performances at the expense of story (or so it seemed to me).
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Stoker is a visually charming version of the plot involving psychopathic intruder in the family, as defined by Hitchcock in 1943 and then repeated in every detective TV series ever made. Except that this time it is presented through compelling acting performances, but without emotions, tension and credible psychology of the characters, so it doesn’t work in the slightest and ends up being completely useless.
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Gallery (75)
Photo © Fox Searchlight Pictures
![Stoker - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/162/113/162113916_9d3f01.jpg)
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