The Hunger Games

Visually and conceptually repulsive. It's true that after the first half, where farcical fascist harlequins prepare the plebeians for bread and circuses, things improve slightly. However, I still don't understand why Jennifer Lawrence in the second part doesn't have a bump on her forehead, isn't gnawing on rattlesnakes' rattles, or riding a motorcycle among doves. And does she love the young baker or the young Thor? One would hope to accept this factory of sterility, clichés, and silly plot twists as a guilty pleasure, but even that seems unlikely. A telling moment is when the youth head to the "arena," and instead of appearing pale and vomiting or urinating as if landing on Normandy, they act as if they're about to embark on a pioneer camp obstacle course. I kept hoping for Professor Subzero to come in with his goalie stick and smash them like Ron Hextall during moments of mental distress. (06/13/2024)

The Hunger Games is another of those interesting fantasy book series that got adapted into a Hollywood movie. I was quite reluctant to see this. Even though I like fantasy films very much, I never know what to expect from them, and what I’ve seen lately was mostly so mediocre that it made me sad. But in the end, I made time for The Hunger Games one Sunday afternoon. I chose Sunday because the film has almost three hours. A film of this length must inevitably have some balls to grab my attention and keep me from falling asleep. The first half an hour was an introduction to the fantasy world in question. There was nothing much going on, but it served its purpose. Nevertheless, at the moment the titular hunger games kicked off, I started to enjoy the movie very much. I found the premise really intriguing, and the way this movie was shot is also not exactly ordinary. The story is quite realistic, with a lot of food for thought. And I must say that even though I felt kind of skeptical about this fantasy world at first, over time I grew fond of it and I began to wonder what the creators – and the source book – have in store for us next time. So yes, I must say that there is something about this world. The execution is also well-done, so the remaining two and half hours passed in the blink of an eye. I was satisfied with the result, and now I’m curious about the sequel. (12/13/2013)

The only thing worth anything in this film, its theme, has already been filmed in an original, energetic way as a provocative satire in Battle Royale. The American version, striving to be a serious and riveting thriller with a romantic storyline, is indigestibly lengthy, clichéd and uses makeup and costumes like from "2001: A Space Travesty 2" with Adam Sandler. I’m giving it the second star for the pleasantly sober acting of the two main characters, who are the only elements of the film that don’t seem like a bad joke. (03/23/2012)

It regrettably misses the mark as a social parable and a critique of a reality show (the classic misguided product syndrome: I criticize myself and I’m not aware of it), as a sci-fi hopelessly non-original, toothless as an action film, pubertal dull as a drama... the argument that it is the absolute opposite of Twilight does not stand up - simply because the heroine is "tough and unyielding", that director Ross and especially cinematographer Stern are at a higher level (the raw filming raises it above average), and that the story has a certain deeper subtext - is not enough. The Hunger Games is similarly poser-like dull and harmlessly consumable. I would like to write that this is The Truman Show for teenagers, but the truth is that this is all to which Weir's film is critically defined. If only it worked as "simple entertainment". But it doesn't. Without knowledge of the book, it is confused, unfinished and overwhelmed with obligatory clichés and affected by a very tied up imagination. (03/21/2012)

The Hunger Games, or dystopia for teenagers, utilizes the concept of fighting in an arena, which has been used many times in literature and film. You shouldn't expect any deeper psychology or convincing portrayal of society, but who would expect that from a Hollywood production of this kind anyway? The level of violence is adjusted to the target audience, so anyone expecting uncompromising, gritty action will inevitably be disappointed. However, considering the target segment of the audience, the film works decently on an emotional level, skillfully playing with sentiment, and the relationship triangle between the adolescent protagonists is relatively solid. The cast greatly helps the film, with young stars led by the charismatic Jennifer Lawrence delivering their performances reliably. On the other hand, the depiction of the social elite from the Capitol feels cliché, resembling an unwanted parody of American television show business mixed with a drug-induced trip by a film costume designer. Although I am far from being the target audience, I would probably lean towards giving the film 3 stars, if it weren't for the chaotic editing that significantly drags down the film, especially in the more action-packed scenes. Overall impression: 45%. (01/31/2022)