Directed by:
Peter BergScreenplay:
Peter BergCinematography:
Tobias A. SchliesslerCast:
Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster, Yousuf Azami, Ali Suliman, Eric Bana, Alexander Ludwig, Rich Ting, Dan Bilzerian, Jerry Ferrara (more)VOD (3)
Plots(1)
LONE SURVIVOR tells the incredible tale of four Navy SEALs on a covert mission to neutralize a high-level al-Qaeda operative who are ambushed by the enemy in the mountains of Afghanistan. Faced with an impossible moral decision, the small band is isolated from help and surrounded by a much larger force of Taliban ready for war. As they confront unthinkable odds together, the four men find reserves of strength and resilience as they stay in the fight to the finish. (official distributor synopsis)
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Say what you will, but that's the way it really is today, unfortunately. Two hours of pain that is palpable, both physically and mentally, which, with its riveting formal structure and surprisingly strong emotional impact, earned my warm sympathy and admiration. Only Spielberg's landing in Normandy and the action sequences in Coppola's Apocalypse Now have so far evoked such a realistic impression in me within the genre – naturalism almost free of the usual Hollywood clichés and that, although by the end I was feeling the compulsive need to hold a bag of popcorn in my hand, successfully suppresses commercial trappings in favour of authenticity and an extraordinary viewing experience. Moreover, it presents as great heroes ordinary Afghan civilians who have not forgotten to use their hearts and who don't give a damn about the Taliban. In short, Peter Berg has finally started to interest me properly, Mark Wahlberg has definitely become an excellent actor and I regret very much that I didn't catch this movie in the cinema, I would have added that fifth star otherwise. 85%
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Following Gravity and All Is Lost (and, to some extent, Captain Phillips), Lone Survivor is another high-contact fight for survival, placing vicarious experience over a complicated plot. Instead of examining the film’s content, it suffices to read the title. With the exception of the introductory panoramas of the picturesque Afghan landscape (which can be understood as part of an effort to not demonise the whole country, but only the Taliban…though the film was shot in New Mexico), Berg relies predominantly on point-of-view shots and close-ups. The camera’s close proximity to the characters occasionally results in a lack of clarity, though it also adds an unpleasant veracity. The impression of rawness is aided by the film’s R rating, thanks to which we can “enjoy” every shot-off finger and every bone-breaking impact on a rock. The film’s long, superbly intensified action core with minimum pathos is unfortunately put in a context that is not very sophisticated. After a broad introduction, the members of the team blend together, the Taliban are evil because they cut off heads, and any indication of the current American military’s inadequacies is quickly suppressed (the unpleasant hazing of a new recruit rapidly transmutes into an inspiring rhyme). In contrast to what we have witnessed (a fatally botched mission) and what in places had a refreshing tinge of ambivalence (the argument about what to do with a captured enemy combatant), the film ends with the cheap pre-credits glorification of the soldiers involved. – SPOILER: With most of them, it’s impossible to avoid the not-insignificant feeling that we are supposed to consider them heroes simply because they didn’t die. END SPOILER – After All is Lost, where I was bothered by the lack of value added, I wouldn’t have expected that I would write this, but this time I would have preferred a pure survival flick without any information aimed at bringing depth to the story. 65%
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It is closest in its formal concept to Black Hawk Down, but it doesn't have the same quality action or the same narrative value. Peter Berg made it for blokes, but he only managed to create a mediocre raw survival action flick where marines, shot up like a sieve, fly around rocks and perform all kinds of stunts that you can imagine. He was able to create a good military atmosphere, and has observed and listened, but unfortunately the ending terrible, similar to Tears of the Sun, to which is this one is very similar in terms of the screenplay.
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The introduction is OK. The middle – and longest – survival part of the film is stunning, visually well-arranged and efficiently conveyed, with several chillingly brutal scenes. The climax is ridiculously simplistic political propaganda for the average US viewer. Overall, Lone Survivor is good film for relaxation, but it will sink into oblivion as fast as all of Peter Berg’s action flicks.
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A not very sophisticated war movie that disgusted me in the first half with the awful black and white view of the world by the Americans, for whom anyone wearing a turban is a dangerous enemy. Fortunately, things get better in the third act, which gets its feet back on the ground in this regard. Even with all the whistling, the survival-combat part was pretty good fun.
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