Directed by:
Peter BergScreenplay:
Peter BergCinematography:
Tobias A. SchliesslerCast:
Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster, Yousuf Azami, Ali Suliman, Eric Bana, Alexander Ludwig, Rich Ting, Dan Bilzerian, Jerry Ferrara (more)VOD (3)
Plots(1)
LONE SURVIVOR tells the incredible tale of four Navy SEALs on a covert mission to neutralize a high-level al-Qaeda operative who are ambushed by the enemy in the mountains of Afghanistan. Faced with an impossible moral decision, the small band is isolated from help and surrounded by a much larger force of Taliban ready for war. As they confront unthinkable odds together, the four men find reserves of strength and resilience as they stay in the fight to the finish. (official distributor synopsis)
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Reviews (12)
A not very sophisticated war movie that disgusted me in the first half with the awful black and white view of the world by the Americans, for whom anyone wearing a turban is a dangerous enemy. Fortunately, things get better in the third act, which gets its feet back on the ground in this regard. Even with all the whistling, the survival-combat part was pretty good fun.
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It is closest in its formal concept to Black Hawk Down, but it doesn't have the same quality action or the same narrative value. Peter Berg made it for blokes, but he only managed to create a mediocre raw survival action flick where marines, shot up like a sieve, fly around rocks and perform all kinds of stunts that you can imagine. He was able to create a good military atmosphere, and has observed and listened, but unfortunately the ending terrible, similar to Tears of the Sun, to which is this one is very similar in terms of the screenplay.
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The introduction is OK. The middle – and longest – survival part of the film is stunning, visually well-arranged and efficiently conveyed, with several chillingly brutal scenes. The climax is ridiculously simplistic political propaganda for the average US viewer. Overall, Lone Survivor is good film for relaxation, but it will sink into oblivion as fast as all of Peter Berg’s action flicks.
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Following Gravity and All Is Lost (and, to some extent, Captain Phillips), Lone Survivor is another high-contact fight for survival, placing vicarious experience over a complicated plot. Instead of examining the film’s content, it suffices to read the title. With the exception of the introductory panoramas of the picturesque Afghan landscape (which can be understood as part of an effort to not demonise the whole country, but only the Taliban…though the film was shot in New Mexico), Berg relies predominantly on point-of-view shots and close-ups. The camera’s close proximity to the characters occasionally results in a lack of clarity, though it also adds an unpleasant veracity. The impression of rawness is aided by the film’s R rating, thanks to which we can “enjoy” every shot-off finger and every bone-breaking impact on a rock. The film’s long, superbly intensified action core with minimum pathos is unfortunately put in a context that is not very sophisticated. After a broad introduction, the members of the team blend together, the Taliban are evil because they cut off heads, and any indication of the current American military’s inadequacies is quickly suppressed (the unpleasant hazing of a new recruit rapidly transmutes into an inspiring rhyme). In contrast to what we have witnessed (a fatally botched mission) and what in places had a refreshing tinge of ambivalence (the argument about what to do with a captured enemy combatant), the film ends with the cheap pre-credits glorification of the soldiers involved. – SPOILER: With most of them, it’s impossible to avoid the not-insignificant feeling that we are supposed to consider them heroes simply because they didn’t die. END SPOILER – After All is Lost, where I was bothered by the lack of value added, I wouldn’t have expected that I would write this, but this time I would have preferred a pure survival flick without any information aimed at bringing depth to the story. 65%
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From 40 minutes on, the film is action packed with nonstop brutal war scenes! The tension builds as fast as the clearing of enemy heads. The excellent direction and cinematography ensure a painful trip that will make you squirm like the four main protagonists. Each of them plays their role very convincingly. Mark Wahlberg is sharp as ever, Emile Hirsch is strong and sensitive, Taylor Kitsch decently handles the difficult decisions as the leader, and Ben Foster is terrifyingly cold but compassionate. I must highlight the breathtaking camera shots of the four soldiers falling off the cliff, they were gritty and raw and gave the film a great edge. Peter Berg did a good job with the premise and the execution. After the second screening I enjoyed the film much more, so I raise to 5*. 90%.
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Photo © Universal Pictures
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