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A nice rest in a state mental hospital beats a stretch in the pen, right? Randle P. McMurphy (Jack Nicholson), a free-spirited con with lightning in his veins and glib on his tongue, fakes insanity and moves in with what he calls the "nuts." Immediately, his contagious sense of disorder runs up against numbing routine. No way should guys pickled on sedatives shuffle around in bathrobes when the World Series is on. This means war! On one side is McMurphy. On the other is soft-spoken Nurse Ratched (Louise Fletcher), among the most coldly monstrous villains in film history. At stake is the fate of every patient on the ward. Based on Ken Kesey's acclaimed bestseller. (official distributor synopsis)

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J*A*S*M 

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English Excellent, but I can’t give it a full score, One Flew Over the Cuckoo's Nest didn’t impress me enough for that. Besides, I doubt the film was supposed to make me sympathise with the character of Louise Fletcher, and that Nicholson’s character was supposed to get on my nerves. The nuthouse is a brilliantly depressive setting, but the film never managed to transmit that very well to me as a viewer. It just failed to leave me with that unique 100% impression. 85% ()

agentmiky 

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English As a local film reviewer who has been writing movie reviews for about 7 years, it’s quite a shame not to have written something about this 45-year-old classic. I must start by saying that Jack Nicholson is a true acting genius. He has proven this in many films, and here he confirms that when he fully immerses himself in a role, he can deliver a legendary performance that will be recorded in cinematic history. His character, McMurphy, who treats everything with humor, is full of biting remarks and always has the last word, is one of the most exquisitely written characters, and it is even better translated to the screen. But besides him, the rest of the cast doesn't just play second fiddle; the supporting characters also shine in many ways (for example, DeVito as Martini is a great showcase of his talent). Louise Fletcher, most likely a deserved Oscar winner, was fascinating to watch as her anger and indignation slowly boiled over with the increasing runtime, culminating in an inevitable explosion. And the ending is truly a genius affair; the scene by the bed with the Chief was emotionally overwhelming. It was expected, but Miloš Forman presented it with such mastery that you were left with your mouth agape. Literally. A powerful film that leaves an even stronger impact. For me, it gets 90%. ()

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3DD!3 

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English A truly good and interesting movie. I’m not too keen on Jack Nicholson, but here he gives an excellent performance and his McMurphy is a really great piece of acting, but equally great is Will Sampson in the role of the taciturn Chief. In fact, all of the acting performances deserve admiration. Perfect nutters :-). And Louise Fletcher as the dictatorial nurse is asking to be strangled. Forman’s masterpiece. ()

Marigold 

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English An inexpressible acting and directing concerto, based on an excellent book and a great script. It's hard to say to whom to most "attribute" the suggestiveness of One Flew Over the Cuckoo's Nest, whether the actor ensemble, who spent several weeks behind the walls of the world of "abnormality" to absorb the color there (and they succeeded perfectly), or Miloš Forman, whose sensitive and basically inconspicuous but perfectly well-established direction give the film a touch of quiet, subliminal drama, which reaches its greatest intensity in the group therapy scenes... Perhaps the most appropriate conclusion is that One Flew Over the Cuckoo's Nest is a perfectly coordinated symphony of all instruments, dominated by the solo parts of Jack Nicholson (incredibly natural and truly manic) and Louise Fletcher (whose beautiful façade hides a minimalist, gruesome interior). The quiet struggle of these two elements – the noisy bon vivant and troublemaker McMurphy and the despotic ruler of the Ratched sisters perfectly complements the smaller but all the more respectable acting party of the department's inmates. Miloš Forman moves in the world of the "crazies" with absolute clarity, with a documentary overview and flawless feeling for the inner drama of the characters. Years later, this image of individual freedom and joy of living in the midst of a world that eats its inhabitants mercilessly is still much better than everything that has been filmed on the subject (including the calculated The Shawshank Redemption). ()

Goldbeater 

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English An excellent film in all respects, which, like wine, matures in your head over the viewings. The combination of Milos Forman being on top form and the frantic acting of Jack Nicholson is simply mesmerising. And I could point out every aspect of the film in that same way. In short, a truly legendary piece of work. ()

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