Directed by:
Miloš FormanScreenplay:
Jean-Claude CarrièreCinematography:
Miroslav OndříčekComposer:
Christopher PalmerCast:
Colin Firth, Annette Bening, Meg Tilly, Fairuza Balk, Siân Phillips, Jeffrey Jones, Henry Thomas, Fabia Drake, T.P. McKenna, Isla Blair, Ian McNeice (more)VOD (1)
Plots(1)
Madame de Volange gets her daughter out of the convent to marry her to Monsieur de Gercourt, who happens to be the Marchioness of Merteuil's lover. In order to get her revenge she calls in the Viscount Valmont, a great seducer to compromise the young girl. But Valmont has also began to seduce Mrs. of Tourvel... (official distributor synopsis)
Videos (1)
Reviews (7)
I really liked this approach by Forman, especially because of how light-hearted it is. Annette Bening is absolutely fantastic here, and Colin, going against his character type, fits really well in this role. The ending seems a bit lost, but that doesn't change the fact that I enjoyed the film and it revived this favorite story for me again.
()
There have never been enough de Laclos adaptations. Interest in his transcripts peaked in the late 1980s, and I have to add that Frears' competing project means little when compared to Miloš Forman's purely auteur concept. Forman's Valmont is a gem among all his works, a balanced work of moral destruction that plays out both a playful minuet and a funeral mass at the same moment. Superb cinematography, ethereal set design, haunting music, and breathtaking performances are all a given with this film.
()
I've always adored Valmont and scornfully laughed at the very dangerous acquaintances who tried to step on this classic. I still like Miloš Forman's take on the storн, but by a strange coincidence, I managed to fall in love with this rejuvenated version so much that even Colin Firth's memorable portrayal has started to pale in comparison. For the time being, let's call it a tie.
()
I’ve heard a lot of praise for this film by Miloš Forman from various sources, but unfortunately, I wasn’t very impressed with it. I definitely enjoyed the formal aspects. Watching the beautiful costumes and meticulously crafted exteriors had its appeal. However, the story didn’t captivate me. The acting was probably fine (especially the devilishly scheming Annette Bening, who ruled the screen), but the various subplots just didn’t engage me. And the ending felt rather rushed. What a pity. I give it a 6/10.
()
Colin Firth and a foxy redheaded Annette Bening could have easily carried the film without the assistance of elaborate costumes and set design. But these, on the other hand, pleasantly wordlessly built up the illusion of bourgeois vacuity throughout, with the only pastime among the bored lower gentry being the tiresome scrounging for shags, which still has to be handled as a LARP as part of elaborate social etiquette. The illusion of a world of summer estates, mansions, gardens, and banquets is mastered perfectly by Valmont, and that's why the desired frivolity works. From the very first shot, I felt a tingling in my guillotine like never before.
()
Ads