Directed by:
Robert ZemeckisScreenplay:
John GatinsCinematography:
Don BurgessComposer:
Alan SilvestriCast:
Denzel Washington, Don Cheadle, Kelly Reilly, John Goodman, Bruce Greenwood, Brian Geraghty, Tamara Tunie, Nadine Velazquez, Garcelle Beauvais, Melissa Leo (more)VOD (5)
Plots(1)
In this action-packed mystery thriller, Academy Award winner Denzel Washington stars as Whip Whitaker, a seasoned airline pilot who miraculously crash-lands his plane after a mid-air catastrophe, saving nearly every soul on board. After the crash, Whip is hailed as a hero, but as more is learned, more questions than answers arise as to who or what was really at fault, and what really happened on that plane? (official distributor synopsis)
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Reviews (10)
A slow, moderate and conservative film with as much humanism as possible and a proper moral lesson at the end. Robert Zemeckis is a skilled director and leads the actors excellently and Denzel Washington delivers an extraordinary performance. The crash scene is not as intense as I imagined, but overall the drama is okay. The hero behaves logically, I enjoyed the dialogue sequences, and we also have a solid twist. The character of Kelly Reilly seems a bit redundant and forced (just to have a romantic storyline), but that's a minor detail. Maybe not the second Forrest Gump, but I expected something much shallower.
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I'm glad I caught up on this one. The combination of Robert Zemeckis and Denzel Washington sounded good and it worked. The opening 30 minutes with the plane crash is a decently intense beast and I liked the aftermath, the investigation and the subsequent trial where the protagonist is tried for alcohol and drugs. I had fun and Denzel was excellent as always. 75%
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Zemeckis lives! After three techno-animation flicks, he’s finally back to live action with an ambitious drama with Denzel Washington in the main role. But it’s not really reason enough to uncork the bubbly. Flight is nothing more than a slightly above average film hurt by a too long run and going in circles (I drink. I won’t drink. I drink again. Now I won’t drink again, really), and the pointless subplot with Kelly Reilly, who gets into Denzel’s life out of nowhere, only to equally fast disappear. The plane crash scene is breathtaking, though, and one of the best of its kind I’ve ever seen, it’s a pity that it’s right at the beginning and the film has nothing else to climb with, on the contrary, it dives down from there; like a plane.
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It was impossible not to know about this movie before its premiere. You see, I found the premise really appealing anytime I thought about it. I mean who wouldn’t like to see an airplane pilot save most of the passengers and crew with an absolutely incredible maneuver, all this while drunk and as high as a kite? The scene of the plane crash is so brutal that I could barely breathe in the first thirty minutes of the movie. Then the movie moves on to the investigation and at that point I sort of thought that the film would slow down somewhat. It did, but surprisingly, it didn’t get boring. For a movie that takes two hours and fifteen minutes, I must say ‘good job!’. On top of that, Denzel delivers a very good performance. I haven’t seen a person dissected so naturally in a movie for a long time. Absurdity mixes with reality, but the result and the final scene were definitely worth it.
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The course of the flight: the first third full of kerosene fumes of audiovisual brilliance, humor as black as a box and the promises of "character" drama. Then the flaps get stuck and the descent begins: slow dialogues, underdeveloped characters, a faint "investigative" drama that is displaced by the image of a decomposing protagonist letting the viewer in - even though Denzel is first-class swollen and he is a loser, it's not something that will invest you in the story. Instead, we get into subtle turbulences of predictability. However, the unraveling is not in vain, it has an edge and a charge... which the film then sticks into the ground with a lemonade conclusion, which actually breaks the whole effort to remove the hero aspect and the moral ambiguity of the story. Every sermon needs at least one improved sinner, something Švejk already knew, but when someone starts screaming at the altar, it is not yet a sign of God's enlightenment. Rather first-class amateurs, in this case a showy sniff at the audience, who like exemplary "self-criticism". From my point of view, it blunts all the blades that Flight 93 manages to hold on to. Nevertheless, it’s a sympathetic film which, thanks to a few juicy moments for me (apart from the first forty minutes or so, for example, the character of John Goodman and Zemeckis' still elegant direction) stays in the safe flight level between three and four stars.
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