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14 year-old Ellis (Tye Sheridan) lives on a makeshift houseboat on the banks of a river in Arkansas with his parents, Mary Lee (Sarah Paulson) and Senior (Ray McKinnon). He sneaks out early one morning to meet his best friend, Neckbone (Jacob Lofland). Neckbone, also 14, lives with his uncle, Galen (Michael Shannon), who makes a hardscrabble living diving for oysters. The two boys set out to an island on the Mississippi River, where Neckbone has discovered an unusual sight-a boat, suspended high in the trees, a remnant of an extreme flood some time in the past. They climb the tree and into the boat only to find fresh bread and fresh footprints. Realizing that they are not the only ones who have discovered the treehouse boat, they decide to leave. When they reach the shore, they find the same footprint in their boat. And that's when they meet Mud (Matthew McConaughey).
Mud is a gritty, superstitious character; his clothes are dirty, his tooth is cracked, and he needs help. He tells the boys he will give them the treehouse boat, his current hideout, in exchange for food. Neckbone is reluctant, but Ellis brings food to Mud, and they develop a tentative friendship. Ellis learns that Mud has killed a man in Texas, and police and bounty hunters are looking for him, but Mud is more concerned about reuniting with his longtime love, Juniper (Reese Witherspoon). Ellis, who has recently developed his own crush, agrees to help Mud escape with Juniper. Ellis and Neckbone carry out bold schemes in an effort to protect Mud and relay messages to Juniper, who is holed up in a fleabag motel, under constant surveillance by Carver (Paul Sparks), a Texas bounty hunter. Carver and his gang are intent on capturing Mud, on orders from the cold-blooded King (Joe Don Baker).
As the boys risk everything to reunite these seeming mythical lovers, Ellis's own ideas about love and romance are challenged by the strains in the relationships closest to him: his parents' marriage is dissolving while he himself falters in his efforts to impress May Pearl (Bonnie Sturdivant). Through it all, Ellis struggles to look for an example of love that he can believe in, learning about the unspoken rules and risks of love and the reality of heartbreak. (Entertainment One)

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Kaka 

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English A sensitive indie relationship drama, emotionally polished to the smallest detail. Nichols confirms that he knows how to tell these subtle, understated stories and that Take Shelter was no accident. The marketing gravitates to McConaughey, but the lead is a fantastic performance by Tye Sheridan. A story about right values, fateful decisions and growing up – Mud offers all this in an interesting filmmaking mix without unnecessary shaky effects or eye-candy shots. ()

J*A*S*M 

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English An intelligent and incredibly mature film about people who think more about others than themselves. That the current redneck gang hates it, it’s just another proof of it. An excellent movie, and another superb work after Take Shelter. Standing ovation for Jeff Nichols, Matthew McConaughey and, in particular, the excellent child actors. ()

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3DD!3 

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English A movie with a heart. A beautiful story about friendship, love, fathers and sons. The message behind it that women are bitches, but still it’s worth fighting for the right to be like that couldn’t be clearer. The Hicksville USA atmosphere is engrossing and Matthew is convincing in the main role. He has grown incredibly as an actor. The boys are also superbly cast. One of the most powerful movie experiences of this year. ()

kaylin 

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English Following Take Shelter, Jeff Nichols' next film again shows that it's made by someone who wants to create something meaningful. The escalation of events and tension here is absolutely stunning. The pace is slow, but there's always something happening, gradually revealing the cards of this boyish adventure. The scene where young Ellis saves Juniper from the man who is beating her is incredibly powerful. It literally takes your breath away. What if he hurts the boy?! The contrast in pace between the individual scenes is, for me, a great example of how storytelling can be masterfully handled. Additionally, it reaffirmed for me that the Southern accent is amazing, and Matthew McConaughey's is excellent. Equally impressive is the country music, which beautifully complements the scenes and is perfectly used for transitions. ()

Malarkey 

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English Each and every one of Matthew’s roles is unique. But there are certain moments that are constantly repeated. For example, swamps. Swamps just must be where Matt was born, because I can’t explain it any other way. Every movie has a swamp. Also, that Texan slang. I don’t know how that happened, but their speech denies all of the English grammar rules they taught me at school. However, despite all this, I enjoyed this movie for the entire 131 minutes. And I really wouldn’t expect it at all considering how simple it was. But what I liked most was how the creators combined the world of adults and the world of children. Those kids gave it such an interesting atmosphere that it assured me that I wasn’t watching a bad movie. As far as the ending goes, it repeats the third rule of Matt’s movies; once he’s acting, he has to be surrounded by a bunch of backwards hillbillies that would think that the word “Czechia” is an Arabian slur. The ending was completely over the top. Some headhunters are after Matt and so they kill everyone in some house, including two kids. Either I’m weird or America has crossed the threshold of humanity a long time ago. ()

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