Boyhood

I've seen a documentary filmed in a similar way, so the 12 years of filming wasn't particularly overwhelming for me, it's just that the documentary left a much bigger mark on me than this. I kind of watched it, these strangers' lives, and felt nothing at all, no closeness, no empathy, nothing. It's not bad, but it's just a bit too long of a blank. Sure, a beautiful example of the "from life" genre, but I've seen better ones like this. That's why it's nothing special or surprising to me, nothing that would knock me on my ass and nominate it for an Oscar. (02/24/2015)

A life story without a single moment to make it worthy of being filmed. We have already seen all of those life fragments elsewhere, where they were part of a higher screenwriting goal. Or we live them at home, so they’re the last thing we want to see at the cinema. Can a person with such a banal life without highs and lows, who never knew the pain of losing a loved one or fell head over heels in love, even be happy? I had been waiting for Richard Linklater to play a little with his characters’ fates, as he had been making this ultimate “life film” for 12 years. But nothing happened. And I’m saying this as someone who loves his Before Sunrise/Before Sunset/Before Midnight trilogy, which consciously and playfully concentrates on a specific topic and shows some development in its delivery. (07/23/2014)

This is a film I've always subconsciously wanted to see. Creative patience and the ability to capture in life exactly those fleeting moments that shape us further have produced quite possibly the most calculating film in history, but at the same time I can't imagine it could have been made one bit better. If I were a film theorist, I'd analyze it endlessly. At this point, I want to see it at least three more times. (07/27/2014)

A truly family movie. Mandatory for all kids, so they can see what unavoidably awaits them and that nobody has it easy with adults, the same way as no adults have it easy with kids. But also mandatory for all adults as a reminder that they were no different and that kids don’t have it easy with adults, in the same way that they don’t have it easy with them. Simply a twenty-year long study of one family “as time goes by"; no big dramas, nothing forced. Quite the opposite: central to it is work with the atmosphere of down-to-earth everydayness without any stress on drama, without coming across too unremarkable, boring or routine at any point during the almost three hours that the movie runs. It’s about the joys and trials of a regular boy; nothing more, nothing less. But the truth is that the closing, high school phase is perhaps too ordinary, the same as due to the scope of the focus some themes/storylines remain loose ends and, yes, Mason didn’t have to be some a douche as an adolescent, but... But even so, I sincerely hope that, like he did with “Before This and Before That" Linklater will return to Mason’s fates strictly every twelve years. (07/14/2014)

A film that defines growing up in the same way like, for instance, Eyes Wide Shut defines human sexuality. All the looks, the spoken and unspoken emotions, the relationships, the break-ups, the moves, the tears – this is the daily routine of most people in the world, and it's good that Linklater handled Boyhood the way he did. That is, 12 years in 150 minutes and with the same actors, this gives the whole a completely different charge that leaves a mark far beyond cinema. (06/11/2021)