Directed by:
Neil JordanCinematography:
Sean BobbittComposer:
Javier NavarreteCast:
Saoirse Ronan, Gemma Arterton, Caleb Landry Jones, Sam Riley, Daniel Mays, Uri Gavriel, Gabriela Marcinková, Warren Brown, Jonny Lee Miller, Tom Hollander (more)VOD (4)
Plots(1)
BYZANTIUM is director Neil Jordan's (Interview with the Vampire) sexy and stylish fantasy thriller about mother and daughter vampires dealing with the pitfalls of eternal life. Two mysterious women seek refuge in a run-down coastal resort. Clara meets lonely Noel, who provides shelter in his deserted guesthouse, Byzantium. Schoolgirl Eleanor befriends Frank and tells him their lethal secret: They were born 200 years ago and survive on human blood. As knowledge of their secret spreads, their past catches up on them with deathly consequence. (official distributor synopsis)
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Reviews (6)
Atmospheric, melancholic, quiet, at times pleasantly ominous and unfortunately, it’s also overlong boredom. Simply put, boring... To be honest, Byzantium managed to keep my attention, but the feeling of unnecessary distraction, which I had while watching Jordan's previous film Ondine, did not leave me. I give a thumbs up to both actresses (especially Saoirse Ronan's mesmerizing eyes), who saved a lot of the film.
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I once liked the atmospheric and decadent film The Company of Wolves, and this is not the first time that Jordan enters the world of romantic fantasy. However, it seems to me that his later work does not come close to the quality of that early film. Byzantium is a compromise on all fronts between a commercially pleasing popcorn spectacle and an alternative interpretation of myths from the world of the undead with an artistic touch. The problem is that the chosen position satisfies neither side. Art fans will (rightfully) criticize Byzantium for the shallowness of its motifs, the inability to imprint true destiny, and the tornness and tragedy of losing the most precious thing that can never be regained. Commercially-minded viewers, on the other hand, will criticize the film for being tiresome. Both groups can then criticize Jordan's loosely presented mythology of the world in which Jordan's protagonists operate. It's not a disaster, as the body of Gemma Arterton and the melancholic face of Saoirse Ronan save the film along with the quality of the cinematography and music. Overall, it is a film that rather raises hopes rather than fulfilling them. It is simply frustrating to look forward to something that never comes. Overall impression: 55%.
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It’s certainly long. This story of vampire brothel madam Gemma Arterton (the performance of her life) has many memorable moments that make Byzantium fascinating to watch, but that isn’t enough. Too many wistful gazes from Saoirse Ronan, too much claptrap about the burden of being immortal. Captivating music, visuals excellent.
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I can’t grasp that Byzantium is basically a play. That completely blows my mind because as a conservative Czech person, I can’t imagine that there would be vampires in a play and that it would all be fairly modern. In any case, this story proved that it can work, at least for a movie. It might be very intimate which is something I can’t say about the actors, but I really enjoyed it. And the actors are exactly why I enjoyed it. Saoirse Ronan and Gemma Arterton were such a combo that even if the movie had been a total flop, those two girls still would have made me happy. Luckily, the movie wasn’t a total flop and so the 118 minutes flew by so quickly that returning to this movie is a total must.
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A melancholic vampire tale for advanced phlegmatic people. Jordan's Interview with the Vampire was at the very beginning of everything I can imagine, and to this day my fascination with its perfection still influences me. It was therefore impossible to hope that Byzantium would even come close to that mark, but the more such projects, the better it will be to forget the civil war that Twilight sparked in the genre. Jordan thus deserves a big thanks at least for this fact. Given that it is minimally atmospheric and original in its own way, Byzantium offers an interesting variation of the Fanny Hill story and great costumes. There is thus no reason to condemn this project.
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