Cinematography:
Bruno DelbonnelCast:
Oscar Isaac, Carey Mulligan, Justin Timberlake, John Goodman, Garrett Hedlund, Adam Driver, F. Murray Abraham, Max Casella, Ethan Phillips, Robin Bartlett (more)VOD (1)
Plots(1)
Follow a week in the life of a young folk singer as he navigates the Greenwich Village folk scene of 1961. Guitar in tow, huddled against the unforgiving New York winter, he is struggling to make it as a musician against seemingly insurmountable obstacles - some of them of his own making. (official distributor synopsis)
Videos (34)
Reviews (10)
Even though the Coen brothers maintain their poetic style and this film has absolutely great music, it's not something I would consider exceptional. The Coens are riding their absurd drama about a singer, we follow his fate, his "success" over one week, but to make the impression stronger, like him, we also do not find a resolution. Unfortunately, this isn't a film that captivated me, no matter how well it might be filmed.
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A movie that, in my eyes, makes up for the fact that it talks about unpleasant life situations in an all-too-pleasant way. The steady pace of the episodic narrative is this time not disrupted (in a positive sense) by any exceptional supporting character or any charming filmmaking idea by which the Coens dissect the superficiality and get down to their typical atmospheric poeticism. Isaac is fine and the music is nice, though it will be appreciated mostly by folk enthusiasts older than 80 or so :) 70%
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The Coen brothers and their ideas are just really fun. It’s true that they don’t always nail it, but that’s the way life is. Some things just don’t turn out well. It might be given by the fact that when it comes to the story and its atmosphere, it’s simply non-interchangeable with anything else in the industry. And I have to admit, I really enjoyed the story of the musician Llewyn Davis. I enjoyed the campfire music he sang there, I liked the cat, but I was also interested in the thought processes that put Oscar Isaac on thin ice one minute after another. I really felt like I was inside that character’s head. And that ending? It was so dreamy… I love this kind of movie endings. If you love Bob Dylan, you’ll like the movie too. The Coen brothers are just good at this.
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And they didn't disappoint again! Those Coens are some crazy bros. Inside Llewyn Davis is a wonderfully melancholic affair that manages to evoke smiles, laughter and moments of tense silence full of subtle emotions. All this accompanied by an excellent soundtrack, perfect actors and an incredibly great passage of the journey to Chicago, in which John Goodman shines in particular and which is one of the best things the Coens have ever written and directed. I was waiting for Bob Dylan to appear in the film the entire time, and still nothing... Then at the end... Or was it at the beginning? Go see for yourself.
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Llewyn and I missed each other - not completely, but we just walked along the same sidewalk, and he talked and sang and I understood him, in every ironic gloss of his miserable self-centered life. Finally, he stopped, disappeared into a side alley, and then cried out that he didn't give a damn, that it suited him and he'd stay stuck there while I went on.
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