The Raid 2

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Following immediately after the events of THE RAID, Rama (Iko Uwais) is forced to reinvent himself as an undercover cop in order to provide protection for his wife and child. Working for the anti-corruption taskforce led by the one person he can trust, Bunawar, he is given a mission to engage himself as an enforcer for a local mob boss, Bangun. Finding a way in through Bangun's son Uco, Rama must hunt for information linking Bangun with police force corruption. All the while, he harbors a dangerous and personal vendetta for revenge and justice that threatens to consume him - and bring both this mission and the organized crime syndicates crashing down. (official distributor synopsis)

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Reviews (15)

EvilPhoEniX 

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English A modern gem of Asian cinema. The Raid 2 is unquestionably the best, biggest and most brutal martial arts and action flick under the sun. Iko Uwais resembles a young Jet Li and he is becoming the martial art star of our time at least for me. Gareth Evans is the most skilled action director on the planet, the guy is a genius, he has impeccable visuals, the most realistic action scenes ever shot on film and perfect camera work. The violence and brutality in the film clearly make a mockery of all PG-13 action films, and the $4.5 million budget makes an even bigger mockery of all big budget Hollywood blockbusters. But the highlights were the flurry of action sequences from the muddy prison (uncontrollable mayhem), a fantastic car chase that will be talked about for a long time, a superb twin action scene where the level of brutality can only be rivaled by horror movies, and a final fight that will take your breath away from the intensity and insanity. Watching will make you swear and scream like at the hockey world championship, sweat and get exhausted like during a 20 kilometre marathon, and most importantly, watch with your mouth open at something you've never seen before in your life. I've never had such an experience, I feel like watching the film over and over again. Awesome! 10/5 ()

Isherwood 

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English The first film, minus its only flaw (the absence of a plot), equals this. Admittedly, I hesitate to wonder if delivering the plot had to mean a two-and-a-half-hour epic, but overall it works great. The last hour is something that goes against everything I have experienced in cinema so far. The physicality of this spectacle goes beyond the horizons of the common imagination, and Evans has a notch in the form of the best subgenre spectacle. The several times that I involuntarily said "Holy crap!" sum up all the superlatives I can think of in connection with this. ()

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3DD!3 

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English Great fights were given a well-written story which, despite its immense length, isn’t boring for a minute. Also Iko Uwais isn’t the ultimate crusher and doesn’t win every fight. Crowd fights alternate with shootouts and one-on-one fist fights. Evans has hammers, machetes, aluminum baseball bats, broom handles up his sleeve and pulls them out with the best action - and I mean at least one level better than in part one. Harder and heavier. If it’s at all possible. ()

POMO 

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English If Gareth Evans controlled the characters and dialogues as skillfully as Andy Lau did in Infernal Affairs, The Raid 2 would have been the best action movie ever, even better than the best of John Woo in the fight scenes. But it’s too long, with too many characters and an overly complicated plot. For this to be a pureblood action movie, there are too many dialogue scenes that fill two-thirds of the film and try to build a mega-epic drama. Visually, however, it is perfect – especially the interiors are refined in the manner of Kubrick. A great aesthetic experience on the big screen at Karlovy Vary’s Thermal Hotel. ()

Lima 

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English Gareth Evans is an incredible talent. His ability to compose shots in calm passages with pedantic precision reminded me of the first Kill Bill, where Tarantino also fondled every image. On the other hand, he always manages to spice up action scenes with some unexpected visual flourish and breathtaking vivacity, with choreography that is unrivalled today. Indonesian boys, hats off to you! It's a pity that the film as a whole is a mere wait for each excellent action sequence and the plot in between is nothing but necessary filler that fails to engage the viewer (at least in my case). Still, I applaud Evans and I can't imagine what this guy will throw at us in the future. Hell, he's not even thirty yet! It’s truly admirable how much skill he has despite his youth. ()

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