Directed by:
Paul GreengrassScreenplay:
Billy RayCinematography:
Barry AckroydComposer:
Henry JackmanCast:
Tom Hanks, Catherine Keener, Barkhad Abdi, Barkhad Abdirahman, Faysal Ahmed, Mahat M. Ali, Michael Chernus, David Warshofsky, Corey Johnson, Chris Mulkey (more)VOD (3)
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Captain Phillips is director Paul Greengrass's multi-layered examination of the 2009 hijacking of the U.S. container ship Maersk Alabama by a crew of Somali pirates. It is – through Greengrass's distinctive lens – simultaneously a pulse-pounding thriller and a complex portrait of the myriad effects of globalization. The film focuses on the relationship between the Alabama's commanding officer, Captain Richard Phillips (Tom Hanks), and his Somali counterpart, Muse (Barkhad Abdi). Set on an incontrovertible collision course off the coast of Somalia, both men will find themselves paying the human toll for economic forces outside of their control. (official distributor synopsis)
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You won’t worry much about the life of Phillips, the hostage portrayed by Tom Hanks, because every character in the film knows that killing him would be of no benefit to anyone. This certainty, which diminishes the film’s level of suspense, weakens only in the final minutes. Apart from this, Captain Phillips is an interesting case of “how can he get out of this”. In this respect, United 93 allowed Paul Greengrass to make a stronger emotional impact on the viewer. Hiding the US NAVY propaganda behind the camouflage of stunning action filmmaking, which will satisfy even the more discerning viewer, however, is something no other contemporary director could do better. And Hanks rules.
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It’s fine to see Hanks acting again, even though in the second half he is more like an extra. Although this nerve-racking voyage loses tension a little in the slower, middle section, this is a minor flaw on an otherwise thrilling depiction of past events. This time Greengrass makes excellent use of the camera - shaky Somali vs. calm Yankee-Irish style. Wonderfully heated confrontations, the Somalis are great to a man and the movie is just dripping with authenticity. The finale where the US Navy arrive is a heavy-caliber military display (even my better half acknowledged the majestic beauty of the warships). Greengrass has certainly made more charged and even better movies, but it didn’t receive that stamp of humanity until Hanks got involved. If it weren’t for United 93, I would give it full marks.
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Paul Greengrass simply knows how to push my buttons. He can make an absolutely awesome thriller on a contemporary theme in a way that makes me feel that I’m the one standing behind the camera instead of him. I mean normally I can’t stand a shaky camera, but he can employ such great editing that moves the whole thing to such levels of perfection that I can accept it without any problem whatsoever. I have accepted it so many times in the past and I accept it now too. And that’s not to mention the fact that the actors deliver some extra-ordinary performances. That includes Tom Hanks and the Somali pirates, who are simply on fire. I would never have thought that such a trivial idea could be squeezed into almost 140 minutes while making sure that not a single minute of it would be boring. And the rescue mission at the end? That was simply a pleasure to behold. A well-deserved five-star rating. It sure doesn’t happen every day that you’d watch a movie while bating your breath for more than two hours.
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A superb dramatization and high-octane exhibition of filmmaking adrenaline that once again elevates pseudo-documentary realistic authenticity to a full-blown blockbuster experience. Although Greengrass goes about this unlike anyone from the numerous rows of his many "copy & paste" colleagues, it's a bit of a safe bet on his part, with the camera looking over his shoulder and whizzing between faces just long enough for you to know who he's thinking of. It's not boring at all, but it does last about fifteen minutes longer than audiences would like. Then it would be a fuller experience. And let's face it, when was the last time you saw a Navy SEALS presentation this short and impactful? PS: Hans Zimmer is thanked in the credits, but as the central motif unfolded, I kept subconsciously waiting for the black hood to appear. 4 ½.
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Paul Greengrass today has no competition in this type of intimate action movies based on real events. This one is incredibly tense and with a frantic pace (thanks to the camera and the editing), even in those scenes where basically nothing is happening and the characters are just talking (which is most of the film, really). And the emotional climax will give you the final KO. No doubt, one of the best films of the year.
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