Directed by:
Antoine FuquaScreenplay:
Richard WenkCinematography:
Mauro FioreComposer:
Harry Gregson-WilliamsCast:
Denzel Washington, Marton Csokas, Chloë Grace Moretz, David Harbour, Haley Bennett, Bill Pullman, Melissa Leo, David Meunier, Alex Veadov, Vladimír Kulich (more)VOD (4)
Plots(1)
In The Equalizer, Denzel Washington plays McCall, a man who believes he has put his mysterious past behind him and dedicated himself to beginning a new, quiet life. But when McCall meets Teri (Chloë Grace Moretz), a young girl under the control of ultra-violent Russian gangsters, he can't stand idly by – he has to help her. Armed with hidden skills that allow him to serve vengeance against anyone who would brutalize the helpless, McCall comes out of his self-imposed retirement and finds his desire for justice reawakened. If someone has a problem, if the odds are stacked against them, if they have nowhere else to turn, McCall will help. He is The Equalizer. (Columbia Pictures US)
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Reviews (12)
After six long years and a second viewing, I have to raise my rating because this film starring Denzel Washington deserves every bit of praise it can get. Antoine Fuqua knew exactly why he cast this legendary actor in the lead role; Denzel delivers perhaps the best performance of his career, following Man on Fire and Training Day. His seemingly unassuming portrayal of an older, innocent-looking guy working at the warehouse completely dissolves when the film unleashes its first action scene, revealing what a top-notch professional Robert McCall truly is. The dialogues are among the sharpest in the genre recently, and you really savor the exchanges (especially between Denzel and Csokas). Martin Csokas stands out as one of the most terrifying villains of late; his expressions truly send chills down your spine at every turn. The action is impactful, unexpected, brutal, and above all, inventive (the finale at the warehouse with the fire sprinklers is one of the most effective scenes in recent years). Sure, it’s exaggerated, but the execution is so precise and perfect at its core that giving it less than five stars would be a grave injustice. For me, it’s a 9/10. P.S. One of the best soundtracks for action films; Harry Gregson-Williams has outdone himself again.
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A superbly executed action film where Fuqua's ability to direct great scenes and Denzel's ability to carry the entire film shine through excellently. He's exactly the kind of hero you want to root for. What really bothered me was Chloe Grace Moretz's disappearance from the scene for over an hour. And it's not just because I really like that girl; it also harmed the story.
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Well... no. I can appreciate an action flick with higher formal ambitions from time to time, but I also demand that its contents not strongly irritate me, which here unfortunately wasn’t the case. Equalizer looks good, the performances are fine and the sound design is great, but I found it boring and irritating most of the time. Is it exaggerated? Of course, but it doesn’t matter. Is it narratively dumb and disjointed? Yes, unfortunately very much so. And yet it looks so, so good :/ 60%
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Slower but all the more focused, subtly escalating and with a perfect performance by the main villain. Washington is approaching the position of an A-list Seagal and soon we’ll see a halo lighting up over his head. I was delighted with the character balance between him and Csokas, the dialogue, Bill Pullman’s small role, more blood than we are used to in Washington movies, and the closing music by Moby. Fuqua is back!
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Denzel and dangerous DIY techniques, or also the prequel to Man on Fire, whose only fault is that Fuqua is not Scott. Thus, the slow building of the plot is rather annoyingly long (out of 135 minutes, about 20 minutes are horrendous) and the length of the slow-motion sequences is long beyond absurd. 3 ½.
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