Directed by:
Olivier DahanScreenplay:
Arash AmelCinematography:
Eric GautierCast:
Nicole Kidman, Tim Roth, Milo Ventimiglia, Parker Posey, Paz Vega, Frank Langella, Derek Jacobi, Geraldine Somerville, Robert Lindsay, Nicholas Farrell (more)VOD (3)
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It's 1962, six years after Oscar-winning Hollywood actress Grace Kelly (Nicole Kidman) married Prince Rainier III of Monaco (Tim Roth). Now Grace yearns to respond to the overtures of Alfred Hitchcock (Roger Ashton-Griffiths) and return to film-making. But being a mother of two and monarch of a small European principality makes this a challenge. Fate intervenes when France seeks to regain Monaco by force, plunging the country into turmoil. Now Grace is forced to make the biggest decision of her life. She can either be an international movie star or recognise her obligation to her husband and adopted country - and accept that she will never act again. (official distributor synopsis)
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Reviews (3)
It's good to approach Grace of Monaco from the perspective of a Nicole Kidman film, because you'll enjoy it even more after that than if you were a die hard Grace Kelly fan. It's all very Nicole-centric which is perfectly fine, because if the point is Grace coming to terms with her new role in life, it's impossible to overlook the performer of this great transformation. I also appreciate Paz Vega in the role of Maria Callas, who herself is also the subject of her own biographies, and she easily shines alongside Nicole/Grace. Ironically, Grace of Monaco is not about Hollywood or Monaco, but is "just" another great story of a strong woman whose life story helped the modern age become truly modern.
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A biography of a Hollywood legend, portrayed by a Hollywood star, with the ambitions of a TV adaption of a Harlequin
novel. Basically nothing about this movie is good. The usually excellent Nicole Kidman fails to impress, while the experienced
actors Frank Langella and Derek Jacobi have only meager roles, the handling of the political problem is not engaging and the
production, strangled by the film’s low budget, is only capable of offering the audience cheap, empty kitsch. As much as
the opening poetic scene of the film is nice and promising, the last one, following the failed portrayal of a dignified
conflict between kindness and power politics, is completely ludicrous.
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This is a film where the creators likely didn't really know what story they wanted to tell, so they included a bit of espionage, psychological drama, political drama, and human drama. There's simply too much going on, and nothing really works properly. And nothing against Nicole, but she's just not Grace. An empty film that screams its message so loudly that it's not pleasant at all.
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