Directed by:
Kathryn BigelowScreenplay:
Mark BoalCinematography:
Greig FraserComposer:
Alexandre DesplatCast:
Jessica Chastain, Jason Clarke, Joel Edgerton, Jennifer Ehle, Mark Strong, Kyle Chandler, Edgar Ramirez, James Gandolfini, Chris Pratt, Callan Mulvey (more)VOD (4)
Plots(1)
For a decade, an elite team of intelligence and military operatives, working in secret across the globe, devoted themselves to a single goal: to find and eliminate Osama bin Laden. Zero Dark Thirty reunites the Oscar winning team of director-producer Kathryn Bigelow and writer-producer Mark Boal (The Hurt Locker) for the story of history's greatest manhunt for the world's most dangerous man. (official distributor synopsis)
(more)Videos (4)
Reviews (17)
I have a minor issue with Kathryn Bigelow in this movie; in comparison to the genius Hurt Locker, it’s the complete oppositemovie-wise. While The Hurt Locker was pure action with barely any story, Zero Dark Thirty is mostly a story that completely overshadows everything else. It attempts to be such a precisely told Bin Ladin operation that it sometimes forgets that it’s a movie and not a book. That’s exactly why the movie is 157 minutes long and why there’s a couple of moments that were incredibly boring to me. If it weren’t for the last half an hour, I’d be pretty pissed. Luckily, Jessica Chastain was keeping everything on such a strong level that I couldn’t close my eyes throughout the movie; it’d simply be too much of a shame.
()
It doesn’t have the balls of The Hurt Locker, but it’s much more interesting. Immediately having left the nest, Maya the Honey Bee is entrusted with the job to find the bearded villain who knocked down the Twin Towers of the World Trade Center. Maya was looked for him, grumbling that she’s lacks the means, then she found him and sent a team to take him out. A tear was shed. The End. I hope I haven’t spoiled the ending for you with this SPOILER that they got Bin Laden. :) Jessica Chastain was the energetic powerhouse of the entire movie, even with her one-dimensional character who lives for work alone, and she continues on and up in her career development. As for the other members of the actors’ ensemble, the awesome Jason Clarke is No. 1 in this picture, winning over the audience with his interrogation at the beginning. Mark Strong rocks again, his entry is one of the most memorable scenes of the movie. Kathryn Bigelow managed everything she had to, but as a whole it’s too long and spends a long time beating about the bush. I know that this was how it really happened, but it harms the story. Otherwise decent work, nothing more. It's cool, that you're strong and I respect it, I do. But in the end, everybody breaks, bro. It's biology.
()
I understand that getting Osama was mostly due to lengthy bureaucracy combined with refreshing waterboarding, but the first hour of this film is the pure essence of boredom. It only begins to pick up after the attack on the base in Afghanistan, only to culminate in the final bit of action, which is something so precisely and coldly filmed that the director's craft is bewildering; anyway, we won't know for a few years whether this film came too soon or too late. 3 ½.
()
I understand that September 11th was a huge shock for the United States and shook the confidence of a superpower, something that the Soviet Union was unable to do throughout the entire Cold War. I understand the need to come to terms with the execution of the mastermind of the attack through artistic means, and I also understand the power of symbols. However, I was surprised by the flood of awards from festivals. To be clear, it is somewhat of an art to make a chase for the world's most wanted terrorist so boring, unengaging, and tedious. It is almost incomprehensible that even scenes of torture or assassinations are emotionally empty, no passage is able to draw the viewer into the game, and everything is mechanical, cold, and flat. The presence of acting stars does not help at all, as this directorial style could easily be utilized by unknown second-rate actors and the result would be the same. I do not understand the superlatives regarding the final action. Perhaps it is worth mentioning that alongside the ridiculously drawn-out footage, the film is harmed most by the minimal distance from the events. It is evident from what is portrayed that the creators, just like American institutions, have not understood the truth about Al-Qaeda and Osama bin Laden. Al-Qaeda has never been a vertically built, centrally controlled organization with a strong leader at the helm. It is more like an "international workers' movement," a community of people united by Islamist ideologies and drawing strength from the conservative environment of Islamic society. Osama was important for the Western world, not for his fellow believers, and at the time of his execution, he was long gone from the game. Overall impression: 35%.
()
"The ultra-professional result may be easier to respect than enjoy," said Peter Debruge in his review for “Variety” and I couldn’t agree more. The process that lead to the discovery of the hideout of Osama bin Laden and his killing is very well portrayed, with Jessica Chastain as a “tough” agent, cold and emotionless. It must have been the only way to film this story so shortly after the events, without turning it into dumb propaganda or, on the contrary, a silly anti-American conspiracy. Thumbs up, for sure, but did I enjoy it? No. It’s still a three-hour long borefest in the desert rather than a gripping war movie.
()
Ads