Directed by:
Thomas VinterbergCinematography:
Charlotte Bruus ChristensenComposer:
Nikolaj EgelundCast:
Mads Mikkelsen, Thomas Bo Larsen, Annika Wedderkopp, Lasse Fogelstrøm, Susse Wold, Anne Louise Hassing, Lars Ranthe, Alexandra Rapaport (more)VOD (1)
Plots(1)
Lucas (Mads Mikkelsen) is beloved by his students and fellow teachers at his local kindergarten. After a divorce, made especially painful when his wife moved away from town with their teenage son, Marcus, Lucas’ life is recovering with a new girlfriend, and the reforging of his relationship with Marcus. His world comes crashing down, however, when a young girl in his class accuses him of inappropriate behaviour. It’s a simple lie that spirals out of control and the small community suddenly finds itself in a collective state of hysteria. Long held friendships are tested as mistrust takes hold, and Lucas must summon all his strength in a brave fight for his life and dignity. (Madman Entertainment)
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Reviews (15)
A calm Nordic winter, a five-year-old femme fatale, and me, unaware of the plot or anything else, sitting in my seat in the movie theater, and knowing that in six months I am to become a teacher too. It’s pure in terms of the genre to the point where words about sliding on the surface come to mind, yet it cuts under the skin like few things have in recent memory. I haven't felt my throat this tight in a long time.
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Little Klara deserves an educational blow with an axe to the nape of her neck. The film can arouse the emotions of the viewer, mainly the negative ones, but it didn’t fascinate me as much as I wanted. In a couple of scenes the script felt overworked (for instance, how the testimony of a girl retold word for word by other people changes from "something indefinite" to a "clear accusation of harassment" - nice, but I felt the very purpose of it). The ending is strong, even though my horror-oriented self waited all the time for a proper exploitation “hunt”.
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People are like sheep! All you have to do is throw a victim at them and they persecute and abuse it without any substantiated and credible evidence, and you have to look for any hint of humanity. The Hunt is a chilling drama set in a small town where everyone knows each other, and nothing is solved as quickly as the dirt on other people. But the hunt is for a victim who doesn't want to give up easily and be falsely smeared, so she resists with all their might. In short, a very well made and dense thriller that lacks a more shocking touch and conclusion to get a full score, when compared to, for example, the similar 2009 film Deliver Us from Evil.
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Mads Mikkelsen movies are the place to go to get wet. Sometimes it's also a pleasant surprise from another point of view. That’s what The Hunt is like. It’s a story about how our kids are getting a bit out of control. And it's not just the fundamentally democratic US that's in trouble, but the otherwise progressive Scandinavia is in the same mess. It may have started as a little film about male emancipation, but it broke down nicely into an appeal for herd restraint.
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A film that is hard to describe has to be seen. Only The Shining, my favourite film ever, has made me feel this “cold” when the end credits started rolling. A harrowing experience that may tamper with the laws of real probability to its emotional advantage at times, but the way it repeatedly pours boiling water on the viewer, and leaves them standing outside in the freezing cold is truly unprecedented. I don't know any other film that can so amazingly adapt the audience's emotions to the main character's depressive feelings and that makes the audience actively react to every twist and turn, laughing, cursing, crying... I feel a little bitter towards Thomas Vinterberg and all the other actors for having sweated through and through my least cheap t-shirt and sweatshirt, but otherwise I send them my admiration and endless praise. This review is intentionally shallow because to tinker more thoroughly with something so perfect and effective seems undignified to me.
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