Directed by:
Richard CurtisScreenplay:
Richard CurtisCinematography:
John GuleserianComposer:
Nick Laird-ClowesCast:
Domhnall Gleeson, Rachel McAdams, Bill Nighy, Lydia Wilson, Lindsay Duncan, Tom Hollander, Margot Robbie, Will Merrick, Vanessa Kirby, Tom Hughes (more)VOD (3)
Plots(1)
At the age of 21, Tim is told an incredible family secret by his father: all the men in his family have the ability to relive their past. He can revisit any moment in his life to try things differently until he gets them perfectly right. He decides to use his special new gift to win the heart of the beautiful Mary, but finds that the course of true love can be hilariously difficult - even with the ability to try, try and try again. About Time is a romantic comedy about love, life and time travel, which discovers that, in the end, making the most of life may not need time travel at all. (Universal Pictures UK)
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Reviews (15)
I didn't find the idea of time travel very well and logically used (The Time Traveler's Wife played with it better, if I have to compare it within the romantic genre) and it was too long, so I couldn't escape boredom by the end. So the third film directed by Richard Curtis is, from my point of view, "just" a pleasant spectacle with likeable actors and one great actor (Bill Nighy, of course), with a nice soundtrack and some really funny scenes.
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If it followed the premise of a sci-fi rom-com where the protagonist goes back in time again and again to “get her” throughout, as it looks in the first half hour, About Time would have been a lot more fun. But in the end it’s a little monotonous and an incredibly non-conflicting fairy-tale that doesn’t want to be anything other than pleasant. It’s not my cup of tea, but I can’t deny its feel-good charm.
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I’m aware that there are many, many films that are better in form and more important for the development of the medium, but I don't give a damn about them. About Time is a story about perceiving and experiencing the world around you that gives you wings and energy to get up again tomorrow and enjoy every (un-)ordinary minute. A story that completely absorbed me for two hours and showed me new dimensions that feelings associated with words such as love, happiness or friendship can take. A work of art with the most beautiful and beautifully conveyed message. Gleeson is the most likeable movie romantic, Rachel is the most amazing and wonderful romantic's dream, and Richard Curtis is a man I admire and respect indescribably. This is one of those films that can replace true love for me. Objectively, I could criticise it for a few logical inconsistencies and the lack of a supporting conflict in the second half, but subjectively it is perhaps my favourite and most emotionally influential cinematic experience along with Shawshank – and I prefer those emotions and impressions any day.
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A decent and original rom-com about time travel, which definitely makes the film interesting. Rachel McAdams doesn't play her typical hot chick role this time, she's dressed up to fit the main character. I was kind of hoping she would abuse her ability to go back in time more times and better, but it worked. Definitely above average within the genre. Well acted, nicely filmed with a few surprises and a sadder ending. 7/10.
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What at first appeared to be a not particularly breezy, but thanks to the constant hinting that Rachel McAdams might show mammary glands, watchable romance in a genetically engineered Britain where there are hardly any minorities and one doesn't care about the ugly chick (whereas I would have assumed Curtis would have at some point been to England) degenerates into something unreal in the last third. I know that this sphere probably pays for cinema tickets, but the horrible final ode to the petty joys of the middle class of absolutely uninteresting people with whom I understand the viewer is supposed to identify somehow to embody an answer to the question of what a new mother’s discussion forum election spot would look like if Andrej Babiš were still trying to get publicity through it. And it would have been filmed by Renč.
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