Directed by:
Richard CurtisScreenplay:
Richard CurtisCinematography:
John GuleserianComposer:
Nick Laird-ClowesCast:
Domhnall Gleeson, Rachel McAdams, Bill Nighy, Lydia Wilson, Lindsay Duncan, Tom Hollander, Margot Robbie, Will Merrick, Vanessa Kirby, Tom Hughes (more)VOD (3)
Plots(1)
At the age of 21, Tim is told an incredible family secret by his father: all the men in his family have the ability to relive their past. He can revisit any moment in his life to try things differently until he gets them perfectly right. He decides to use his special new gift to win the heart of the beautiful Mary, but finds that the course of true love can be hilariously difficult - even with the ability to try, try and try again. About Time is a romantic comedy about love, life and time travel, which discovers that, in the end, making the most of life may not need time travel at all. (Universal Pictures UK)
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Reviews (15)
If it followed the premise of a sci-fi rom-com where the protagonist goes back in time again and again to “get her” throughout, as it looks in the first half hour, About Time would have been a lot more fun. But in the end it’s a little monotonous and an incredibly non-conflicting fairy-tale that doesn’t want to be anything other than pleasant. It’s not my cup of tea, but I can’t deny its feel-good charm.
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I already got used to Richard Curtis making great movies with a positive vibe, containing a lot of thoughts worth fighting for. A lot of people recommended About Time to me, and since I like Rachel McAdams, I planned to see the movie for quite some time. And I can tell you, for a long time I did not feel such joy to be alive that I felt after watching this film.
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An incredibly cool action-packed movie with a plethora of finely crafted dialogues, excellent timing of scenes, love that never gets mundane, and appropriate life paths for every situation. That alone is somewhat like science fiction, and time travel doesn't even have to be involved. But (not only) Rachel McAdams is simply incredible. It is impossible to resist.
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What at first appeared to be a not particularly breezy, but thanks to the constant hinting that Rachel McAdams might show mammary glands, watchable romance in a genetically engineered Britain where there are hardly any minorities and one doesn't care about the ugly chick (whereas I would have assumed Curtis would have at some point been to England) degenerates into something unreal in the last third. I know that this sphere probably pays for cinema tickets, but the horrible final ode to the petty joys of the middle class of absolutely uninteresting people with whom I understand the viewer is supposed to identify somehow to embody an answer to the question of what a new mother’s discussion forum election spot would look like if Andrej Babiš were still trying to get publicity through it. And it would have been filmed by Renč.
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Objectively speaking, I could raise about a dozen objections against the film, meaning I could give it an average review, but what can you do? It's one of those films where you don't care about logical lapses and plot contrivances because you are enticed by the dialogue tapped from life and by the romantic storyline polished to perfection without flaw or blemish. After that, you're just left jumping for joy at personal highlights like a woman's choice of dress, and when it comes to the black-clad funeral procession, you raise your glasses to wipe away a tear without feeling bad about it; Richard Curtis creates experiences.
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