Directed by:
D.J. CarusoCinematography:
Dariusz WolskiComposer:
Brian TylerCast:
Shia LaBeouf, Michelle Monaghan, Rosario Dawson, Billy Bob Thornton, Ethan Embry, Michael Chiklis, Anthony Mackie, Fahim Fazli, Cameron Boyce, Marc Singer (more)VOD (2)
Plots(1)
Jerry Shaw (Shia LaBeouf) and Rachel Holloman (Michelle Monaghan) are two strangers thrown together by a mysterious phone call from a woman they have never met. Threatening their lives and family, she pushes Jerry and Rachel into a series of increasingly dangerous situations - using the technology of everyday life to track and control their every move. As the situation escalates, these two ordinary people become the country's most wanted fugitives, who must work together to discover what is really happening - and more importantly, why. (DreamWorks)
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Reviews (8)
At first glance, it is a very unusual and unconventional hi-tech thriller, but it gradually turns into a clumsy and ultimately even banal action movie, which has a brutally fast pace, technical gizmos better than in the once so expensive Die Hard 4, restless camera, and fantastically filmed explosions and car accidents. But beneath all this cool decoration, there is a single, even banally simple blow with an iron rod. At the end, you are certainly very entertained, unfortunately in a negative sense. The first half is thrilling, unpredictable, and skillfully shot.
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Spielberg is enjoying the production aspects and he’s letting decent directorial craftsmen under his patronage demonstrate their talents. Caruso's film is nothing more than a feature-length popcorn flick with no higher ambitions. It tightly clutches several genres, deftly referencing its more famous colleagues, and yet the is honestly entertaining for two hours. There are no dead spots and the pacing is so frantic that it kills even the leaky logic, and the actors so excellent that even the stiff dialogue can be forgotten. I’m willing to accept the angry criticism around the volatile camera and frantic editing - except for the car chases, where the feasts of destruction don't quite stand out - otherwise, it’s damn good! It’s a fine fairy tale, and after watching it I will fall asleep after a long time with a cynical feeling that such toys will one day bury the entire "civilized" world. :)
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Eagle Eye is a fast-paced high-tech thriller, but it fails to bring anything distinctive to the table. The only thing that makes it attractive is Shia LaBeouf’s participation and the “Executive Producer Steven Spielberg” label. Tony Scott, active in the same genre, has his own directing style and his high-tech thrillers are original and audio-visually creative. D.J. Caruso produces only routine works that are neither great nor terrible. And for me, that is not enough for a two-hour action movie without a deeper look into psychology of the characters.
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In the beginning there where two Shias... A badass action typhoon that would make even the most resilient veteran’s hair stand on end. It should have said at the beginning the not too distant future and not “next year" so that it wouldn’t seem so dumb in places, but so what. This movie isn’t trying to take an IQ test. It’s trying to blow up. This was probably the biggest badass in Shia’s whole career but he just played (me) a slothful layabout with no ambition. Michelle Monaghan was perfect for her role and Billy Bob Thornton sometimes reminded me of Clint Eastwood (aka Dirty Harry). D.J. Caruso did an excellent job and if I were a little younger I would give it 5. "Coffee machines have timers..."
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Risk of spoilers When a murderous computer appears in Buffy the Vampire Slayer or The X-Files, fans (not without reason) classify such episodes as among the worse ones. When a fighter plane in Stealth starts thinking for itself, it turns the movie into a flop that the audience relishes in mocking. And when a giant central security computer in Eagle Eye starts causing trouble for the American government and tries to take the fate of the world into its own hands, it becomes a hit. A significant portion of the user community may consider the plot to be infinitely dull, but with pleasure they give the film a positive rating, saying that the ride was worth it. Unfortunately, it wasn't. I would much rather see more of Shia LaBeouf as a poker teacher or as the confidant of a lonely mother in a cargo box. I don't mean to say that a gun doesn't suit him, but in such moments we get too close to falling telegraph poles, makeshift lists of future victims, and sound vibrations reflecting off a mug. D.J. Caruso's first stumble, which unfortunately marked his career with bad luck.
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