Directed by:
James GunnCinematography:
Ben DavisCast:
Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Lee Pace, Michael Rooker, Karen Gillan, Djimon Hounsou, John C. Reilly, Glenn Close (more)VOD (4)
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Marvel's Guardians of the Galaxy finds space adventurer Peter Quill the object of a bounty hunt after stealing an orb coveted by a treacherous villain, but when Quill discovers the power it holds, he must find a way to rally the quartet of ragtag rivals hot on his trail to save the universe. (Walt Disney US)
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I am Groot – and that's great. Complaints about the fact that Guardians of the Galaxy turned out to be just an "ordinary" Marvel movie can be attributed primarily to the extensive media massage all around, which deprived us of any surprises. It is difficult to imagine a stranger situation than when the main blue-black villain is faced with a group consisting of an 80s fanboy, an unfunny fighter, an unpredictable talking raccoon with a machine gun, and a tree in the foreground. And, of course, it's another pursuit of the devilish stone that can destroy everything. Because why not, when all the teams, villains, and artifacts successfully merge into one pile a few years later in the spectacle called Avengers: Infinity War. However, for now, the Guardians are struggling as a cohesive group with an incredibly positive song-filled soundtrack, shockingly self-assured direction by James Gunn, and an opulent finale that dazzles with every new idea, even in a relatively small space. I usually don't find pure space journeys particularly enjoyable, so this exception is all the sweeter.
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It's strange that a relatively inexperienced director would jump on such a blockbuster and be successful. Guardians of the Galaxy is a very breezy and fun ride with a world reminiscent of Star Wars, which bothered me maybe the most here (I don't like this kind of sci-fi too much), but here I was able to get over it and let myself be carried away by the great central characters (Drax amused me the most, oddly enough). The CGI is solid, the soundtrack is nice, the humour didn't impress me that much, I laughed maybe three times, but I had a great time. It doesn't beat Captain America in my eyes though. 80%.
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The plot rides on the wave of traditional comic book clichés, there’s the die-hard bad guy who wants to wipe out the galaxy and a bunch of oddballs trying to stop him. But the ubiquitous self-deprecating humour takes this tale up a level of fun, as do a bunch of likeable characters who have each picked up an extra bucket of charisma and whose fates keep you interested. James Gunn has capitalized well on his Troma beginnings, and he handles the wisecracking bizarre characters with aplomb and with humor that doesn't feel awkward or hammy. And tell me, is it possible not to love a film in which the protagonist is willing to put his life on the line to save his beloved prehistoric Walkman? I myself once, many years ago, as a poor student, bought my first Walkman with the last money I had saved and was happy as a pig in shit, so I understand Chris Pratt's feelings :o) And it wasn't even a gift from my mother.
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An unforgivable waste of potential. The most entertaining (because it’s the most crackpot, most absurd and the biggest sneer at classic superhero team movies) Marvel squad movie whose wings have been clipped by being grafted onto the standard template of an endless stream of Marvel movies “putting our money only on the tried and tested"; this time dressed up as a space opera with shamefully unremarkable action. Although they should have chosen a rather more revolutionary approach to the material. Maybe some time in the future; maybe with that already cult character from the post-credits scene.
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The movie’s characters are a bunch of unconventional heroes with believable team chemistry, who do not take themselves too seriously and are played with gusto. Chris Pratt, whose star is on the rise, is a super cool guy, Zoe Saldana would be sexy in any color and Groot is too cute for words. The plot is a total cliché, but the relaxed mood of the film, which shows that nothing is meant seriously, makes that fact less grating. However, I was unpleasantly surprised by the lameness of most of the jokes. Hilarious, imaginative catchphrases with a lot of pop-culture references, were supposed to be the main attraction of the film, and there are almost none of those. Even Seth MacFarlane had more in his recent, rather inane A Million Ways to Die in the West. The crucial scene is foiled by Tyler Bates’ inability to compose an escalating melodic musical theme. The technical aspect is, however, perfect.
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