Directed by:
Denis VilleneuveScreenplay:
Javier GullónCinematography:
Nicolas BolducCast:
Jake Gyllenhaal, Mélanie Laurent, Sarah Gadon, Isabella Rossellini, Joshua Peace, Tim Post, Kedar Brown, Stephen R. Hart, Jane Moffat, Paul StephenVOD (3)
Plots(1)
Jake Gyllenhaal reteams with his PRISONERS director, Denis Villeneuve, in this sexy and hypnotically surreal psychological thriller that breathes new life into the doppleganger tradition. Adam Bell (Gyllenhaal) is a glum, disheveled history professor, who seems disinterested even his beautiful girlfriend, Mary (Laurent). Watching a movie on the recommendation of a colleague, Adam spots his double, a bit-part actor named Anthony Clair, and decides to track him down. The identical men meet and their lives become bizarrely and irrevocably intertwined. Gyllenhaal is transfixing as both Adam and Anthony, provoking empathy as well as disapproval while embodying two distinct personas. With masterfully controlled attention to detail, Villeneuve takes us on an enigmatic and gripping journey through a world that is both familiar and strange — and hard to shake off long after its final, unnerving image. (A24)
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Reviews (9)
A hypnotic, hyperactive and sexually titillating thriller from Denis Villeneuve. Jake Gyllenhaal is perfect for these roles, the man was made for the thriller genre! Although I was apprehensive about the film, it absolutely blew me away, sucking me into the plot from the fifth minute and not letting me breathe until the end. An incredibly unpredictable, original film with the greatest WTF ending of all time. After reading an article about the film, I learned so many interesting details that I had overlooked that a second viewing is a must! 80%
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After I saw Sicario, I started believing that Denis Villeneuve was a genius among contemporary directors. So, when his movie Enemy, which received mixed reviews, was said to appear on TV, I didn’t hesitate a single moment. The fuckup is that when I was watching it for the first time, I totally dozed off and I had to catch the rest the next day. Enemy is no simple movie. And the first 30 minutes even more so. At first sight, nothing seems to be happening. After watching the final scene, however, you will feel as if everything happened in it because you won’t understand anything in the movie at all. Generally speaking, however, I think that this might be the worst movie with a deranged character, who on top of everything suffers from a split personality. Such stories rarely disappoint, but this one disappointed me quite a bit.
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A formally captivating film with brutal yellow camera filter, lots of industrial shots, a properly suffocating atmosphere and ambient music: psychedelic like crazy, or Villeneuve showing what his greatest asset is. I understood the content, but not the spider metaphors escaped me. The attempt to be the second Lynch seems unnecessary to me; I actually liked the more classical Prisoners more, where the director played similarly with the camera, the dark atmosphere, and amazingly stylized music, but it was more emotional, less of a mindfuck, and got under my skin very well.
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I felt downright disappointed immediately after the screening. Unlike other films with unsatisfactory and unclear endings, Enemy woke in me a desire to know what is really hiding in the back. And the more I think back about it, the better I find it. In any case, it’s been long since a film messed with my head so much.
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An intimate, also very abstract movie told in hints. Villeneuve is doing what he does well and leads the viewer through an industrial city to a room where somebody is taking a bath in the dark. The door opens, he takes you inside and then disappears, leaving you there with all your questions and fears... time to die? Gyllenhaal 1 awesome, Gyllenhaal 2 a real swine. Chaos is order yet undeciphered.
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