Directed by:
Marc WebbCinematography:
Dan MindelCast:
Andrew Garfield, Emma Stone, Jamie Foxx, Dane DeHaan, Colm Feore, Felicity Jones, Paul Giamatti, Sally Field, Marton Csokas, Louis Cancelmi, Max Charles (more)VOD (5)
Plots(1)
Andrew Garfield returns as Peter Parker, a teenager embracing his role as superhero as he battles new villains and uncovers more clues about his past. (Netflix)
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Reviews (11)
Unlike the previous film, which I liked only the second (third) time, I liked this Spider-Man immediately. I won't hide the fact that it scored points with me mainly because of the added perspective and really funny moments, but it is equally due to the bombastic action - much better and more imaginative than in the first film. The actors are every bit natural and likable, and the bad guys are alternately sympathetic and terrifying, as they should be. The finale made me hold my breath, even though I knew what was coming. Moreover, I don't even regret that Hans Zimmer replaced James Horner, because after some time (together with a few other people I don't know) he put together a really good music combining classical orchestra and electronics, and gave Spider-Man a nice fanfare theme. It's just a pity that Osborn Jr. didn't get more space, perhaps at the expense of Peter and Gwen's drawn-out romantic line.__P.S. The scene in the credits is completely unnecessary and bland, although from the X-Men world.__P.P.S. What about Uncle Ben's killer? Will we get to him in the next instalment?
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With the overlapping romance with Gwen Stacy, who is very iconic in the original comics, this story takes on a new dimension. The friendly enemy is also quite a nice element. It really doesn't take much to make even the umpteenth Spider-Man interesting, just don't retell the original and it's much more consumable.
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Great! I wasn't expecting much from the second Spider-Man movie and I had more fun than I did with the first one. From start to finish, it's a fast-paced and fun ride with an interesting and engaging story, gameplay visuals and perfect villains, of which Electro is the clear winner, giving me goosebumps every time he appears on the scene. 80%.
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The first film was about hormones, the second accepts the fact that it has to expose the character to something more fundamental (death, responsibility, loneliness) and somehow develop and problematize the character. Unfortunately, there is a syndrome of beating empty straw with the expression of a farmer whose cattle have died. The clichés and love twists are so stupid that even the nonchalant Webb loses grace and the whole thing is reminiscent of the weak moralistic moments of Raimi's trilogy. A certain inconsistency also continues between the detached adolescent escapades in the clouds and quite harsh moments (the introductory scene is something like Nolan would do) / an effort to motivate the villains more comprehensively. It's nothing that Spidey would excel at, so exactly, as was said here - the action is excellent and imaginative, whilst the link between it is a bit barren. Still nothing that offends me, but also nothing I would watch with increased attention and affection.
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Emotions overcome reason, anger overshadows some more humane feelings, and somewhere deep within, there's that persistent desire for a deeper understanding of oneself and one's own origin. I wrote that in the previous installment, and I'll write it again now – and perhaps for the last time. Sam Raimi's version was great, but it is Marc Webb's personal approach and scriptwriting greatness that makes The Amazing Spider-Man an unforgettable series. Even after this Electric Rhapsody becomes just another interchangeable summer action film for everyone else, I will remember much more. I will remember Emma Stone, who dialed down her sassy approach and ultimately became the true and genuine Gwen Stacy. I will remember the nervously escalating storyline of Harry, which, even in a smaller space, causes a chilling sensation. And above all, I will remember a more mature Andrew Garfield, who effortlessly handles both the jumping red and blue quipster and the torn-up mess seeking help from his loved ones. In combination with the first film, it is a perfectly intoxicating experience, thwarted only by the greed of Sony bosses on the path to a unique trilogy. It's a tremendous shame, making all the preparation for further adventures utterly futile. Considering the power of the story about the rise of a young loner to becoming a hero, it is so frustrating that my frustrated arguments became irrelevant only a month later when Spider-Man returned to Marvel instead of another reboot. How he fared among the established Avengers, however, is a different story altogether.
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