Directed by:
Marc WebbCinematography:
Dan MindelCast:
Andrew Garfield, Emma Stone, Jamie Foxx, Dane DeHaan, Colm Feore, Felicity Jones, Paul Giamatti, Sally Field, Marton Csokas, Louis Cancelmi, Max Charles (more)VOD (5)
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Andrew Garfield returns as Peter Parker, a teenager embracing his role as superhero as he battles new villains and uncovers more clues about his past. (Netflix)
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Reviews (11)
The series with Andrew Garfield is certainly more likeable than the decade older one, even though they have almost the same visuals and love story. Emma Stone is more natural, Spider Man is more human-like (more realistic), and the action is more robust. However, it is still the most childlike comic book hero among the main ones, and it still isn't grasped as it could be – or rather, it is still a sterile Hollywood action movie with a lot of clichés, corny scenes, and expected twists that don't necessarily need to be there. It's the same thing for the twentieth time. It's charming, but it's already getting repetitive.
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With the overlapping romance with Gwen Stacy, who is very iconic in the original comics, this story takes on a new dimension. The friendly enemy is also quite a nice element. It really doesn't take much to make even the umpteenth Spider-Man interesting, just don't retell the original and it's much more consumable.
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So this looks like the surprise of the year so far. I was quite worried, especially after seeing the dub-step trailers, but it’s good. In terms of story, maybe a bit too long, doing it harm, but still better than season one. Full of snappy lines and perfect, really elaborate action crowned by an iconic moment that once shook the foundations of the whole comic world. The repulsive Fox as Electro is watchable thanks to his skills, but anybody else would have been better in that role, anybody. Giamatti doesn’t make much of an appearance, but DeHaan makes the very most of Harry, Goblin is surplus to requirements and could have easily waited for the next episode. But anyway. After watching the trailers I was expecting a catastrophe, but in the end it was very strong number 4. I’m still happier with the overall mood than with Raimi directing. I’m looking forward the number three, it’s all started off very well. “What are you doing? No, I do the laundry." “Last time you did it, you turned everything blue and red." “Because I washing the American flag."
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The first film was about hormones, the second accepts the fact that it has to expose the character to something more fundamental (death, responsibility, loneliness) and somehow develop and problematize the character. Unfortunately, there is a syndrome of beating empty straw with the expression of a farmer whose cattle have died. The clichés and love twists are so stupid that even the nonchalant Webb loses grace and the whole thing is reminiscent of the weak moralistic moments of Raimi's trilogy. A certain inconsistency also continues between the detached adolescent escapades in the clouds and quite harsh moments (the introductory scene is something like Nolan would do) / an effort to motivate the villains more comprehensively. It's nothing that Spidey would excel at, so exactly, as was said here - the action is excellent and imaginative, whilst the link between it is a bit barren. Still nothing that offends me, but also nothing I would watch with increased attention and affection.
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A lot of users here complain that this film is boring, uninspired; the same old fairy tale. But I personally liked the second/fifth outing of Spider-Man and got everything I needed at the cinema. On the audiovisual side, it is good, the effects are nice and impressive, and it was all underscored by Hans Zimmer's impressive music. The story was simple, but I wasn’t expecting anything else. I both laughed and grieved at the film and marveled at the action sequences. Halfway through, I thought I would only give it three stars, but the last twenty minutes made me rethink everything. In short, a typical popcorn movie that will disappoint especially those who expect too much from it – I was satisfied, though.
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Photo © Columbia Pictures
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