Directed by:
Peter JacksonCinematography:
Andrew LesnieComposer:
Howard ShoreCast:
Martin Freeman, Ian McKellen, Richard Armitage, Luke Evans, Evangeline Lilly, Orlando Bloom, Hugo Weaving, Cate Blanchett, Christopher Lee (more)VOD (5)
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"The Hobbit: The Battle of the Five Armies" brings to an epic conclusion the adventures of Bilbo Baggins (Martin Freeman), Thorin Oakenshield (Richard Armitage) and the Company of Dwarves. The Dwarves of Erebor have reclaimed the vast wealth of their homeland, but now must face the consequences of having unleashed the terrifying Dragon, Smaug, upon the defenseless men, women and children of Lake-town. (Warner Bros. US)
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The most concise and balanced film of the whole trilogy, which did not dispel any of my doubts that accompanied me through The Hobbit. Despite all the convulsive emphasis on being epic, the trilogy is unfortunately very flat, it lacks truly interesting, structured characters (in fact, the only one who goes through any dramatic change besides Bilbo is Thorin), the supplied storylines are horribly shallow and the three films did not add depth, but rather amusement park-like, uncritically long action scenes. The Battle of the Five Armies itself surprises, because even after Gondor and Helm's Deep, PJ was able to create fresh, well-arranged and choreographically imaginative giant scenes (an army of dwarves and a redheaded janitor Willy on a giant pig are among the last few things I wanted to see in my life). Unfortunately, from the moment the giant chamoises unexpectedly appear on the screen, we move from epic to the pre-planned Tolkien arcade, a soft version of Mortal Kombat stuffed with a ton of clichés and WTF scenes (Legolas and his gravity can no longer even entertain Peter). The poetic magic of silence and pipe cleaning, which Gandalf does at the very end, is thus quite unique in the trilogy of sin. In fact, I'm most interested in digital blushes and the obsession of creators to put epic emphasis on almost every scene, so in the end almost everything seems like a wooden theater - moreover, the script is a bit weaker than the brilliant "Who am I, Gamling?" monologue of King Théoden. The Hobbit works as teaser for The Lord of the Rings trilogy, and I can imagine that my child will be ecstatic about it in a few years. When he grows up, he will certainly agree with me that the original trio of films remains are unmatched in their greater muteness and higher cinematic agility. Or I’ll beat his ass.
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Roads go ever ever on, under cloud and under star; yet feet that wandering have gone turn at last to home afar. For some, it's a barrage of computer tricks, for others, a pleasant adventurous ride, for still others, it's a meaningless war massacre with no added value. And for me, it's a fairytale preceding The Lord of the Rings, creating one big unforgettable narrative. Peter Jackson is still like Peter Pan so many years after The Fellowship of the Ring. Like a boy who stayed in his own Middle-earth and refuses to grow up. And it's only thanks to him that Bilbo seems like a good friend, Gandalf the wisest mentor, and Thorin as the true main character, with whom it's worth experiencing every sword stroke or chilling breath. And in the cave, in Esgaroth, on the battlefield, in the mountains, and in the Shire, I discovered again and again that their world is also mine and not only were my expectations fulfilled, but they were also easily surpassed. Today, two trilogies have finally created a separate hexalogy, and I want to stay in it forever. So once again... In a hole in the ground there lived a hobbit.
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The finale of The Hobbit did not satisfy me as much as I would have liked. The return to Middle Earth is nice, but from the very beginning it is clear that the creators wanted to squeeze so much in these two and a half hours that they didn’t know where to begin. They get rid of the dragon already in the opening credits and then a completely different story unfolds, which has nothing to do with the original Hobbit. I’m not blaming them for this, but I would’ve preferred if there were only two Hobbit movies and this one was conceived as a separate story. Especially since I don’t believe this is the creators’ last trip to Middle Earth. From the video logs I’ve seen, I’d say this is the best filmmaking crew ever. Everything here was running without a hitch – from the janitors to the director. What doesn’t work as perfectly is how they’re stretching this movie out, despite the fact it focuses on a single battle. That’s why I’m unwilling to give this the full amount of stars and why the second instalment remains the best movie of this trilogy in my opinion. On the other hand, the fairytale-like quality, the fact that almost everybody here is likeable and the opportunity to take another trip to Middle Earth mean a lot to me, so I am going to remember this trilogy with fondness.
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The fact that I’m giving it one more star than the second part it’s not due so much to a better quality, but rather to the better mood I was in while watching it. Or maybe it was the more reasonable run, I don’t know. A plus is Thorin’s momentary episode of madness, a negative, is once again, the digital mess. Bilbo floats with the plot, the battle of the five armies breaks down into individual fights, and as a whole it goes nowhere. Once again I must say that adapting “The Hobbit” as a film trilogy was a very bad decision.
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This is how I imagine the fulfillment of the phrase "digital plague." Peter Jackson is diligently stealing from himself and showing that in the name of financial gain, he is capable of sinking low. The first Hobbit film already showed all his weaknesses by padding the plot with filler, and the inability to lead the storyline meaningfully, and the third film just tops it all off. Those who like attractions will enjoy the films but towards the end, I only felt resignation and disgust. Overall impression: 40%. I don't know how Tolkien would react to The Lord of the Rings films, but this piece of crap would surely hurt him...
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