Directed by:
Ridley ScottCinematography:
Dariusz WolskiComposer:
Jed KurzelCast:
Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Demián Bichir, Carmen Ejogo, Jussie Smollett, Callie Hernandez, Amy Seimetz (more)VOD (4)
Plots(1)
The crew of a colony ship sidetracked on an uncharted planet that is crawling with the acid-drooling aliens. Michael Fassbender heads up the cast in a dual android role, playing the synthetic caretaker of the ship as well as the lone survivor on the planet. (Home Box Office)
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Reviews (20)
After the light-footed The Martian, I assumed that Scott's age is just a number that comes from subtracting the number on his ID card from the number on the calendar, so I wouldn't blame it on senility. Rather (and this is worse), I attribute it to creative indiscipline and an overgrown ego that has become a tumor of a uniquely creative mind that neither respects the canon nor offers a new approach. The opening is confusing and the characters have no background, so we're following a group of really, really stupid assholes. The plot is very transparent, with the banal (the bloody mess) taking precedence over what is in fact really interesting - and in terms of the development of the series - more important (the creature). Scott wants to impress, but the character of David could stand in for Kryten in Red Dwarf, so instead of holding your breath, you're both laughing and cursing through your teeth. Visual variety, Scott's long-standing asset that has saved many a film, is also absent, with this often looking like a more expensive episode of Stargate, which is the level where the rest of the film actually belongs in terms of its quality. PS: Kurzel's audio is a dark nervous fantasy that the film is not worthy of.
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Nope. Ridley Scott didn't make another Alien, he made another Prometheus. And what didn't work in the first one still doesn't work here, and maybe even more so. The characters are even duller, half of them are practically there just to die, and there's really no personality to speak of. On top of that, Katherine Waterston is an utterly insipid and unimaginative female lead. And unfortunately Ridley has this whole boring bunch babbling, sniffing things on an unknown planet, getting lost, splitting up and dying in such an undignified way that the word "cliché" doesn't even begin to describe it. Scott is still trying to make a movie with transcendence; philosophical, religious and thought-provoking, but again, the whole thing is dull at best and usually laughable, just like the villain David. It doesn't work as a horror film, it doesn't even want to do much, and the whole thing felt like a movie in which the aliens appear more or less only because it can't be called Prometheus 2. What you love about Alien, you don't get here. Because the senile Scott is going head to head with the wall and has probably decided to finish his Prometheus saga despite the fact that nobody really wants it.
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A film where someone alternately screams hysterically in confusing scenes and alternately philosophizes about the issues of the space game show quiz in far too clear shots. Everyone behaves so erratically that the Prometheus crew reminds of professors of logic on a trip to the land of the eight-way. After a totally WTF birth scene, I decided that Alien had just died for me. One star for Franco's compression without having to utter a bare sentence on board. That is the right decision. The only one.
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Enjoyable shit!! Covenant has a slightly longer run-up than I would have liked and the opening isn't very engaging, but anyway, the 15-strong crew makes it clear from the start that the horror viewer is not going to be short of a high body-count, and it isn't. As soon as the crew sets off to visit a new planet, a densely atmospheric, juicily brutal (finally a decent use of the R-rating), visually arresting and at times goosebump-inducing inferno begins, and it doesn't let up until the climactic finale, which lasts around half an hour and meets the strictest criteria of a true horror fan. Michael Fassbender and Katherine Waterston are absolutely amazing, the white xenomorph is one of the most attractive creatures I've ever had the opportunity to see on screen, Baby Alien and the unexpected final denouement are also satisfying. Overall, it's got decent balls especially when the Alien is rampaging on screen. If it wasn't for the slower opening, I'd go for the full score. Nerds and nitpickers will probably grumble, others might be satisfied. Interesting fact: one old man was so turned on to the alien that he had to see it even at the cost of not being able to walk. Apparently, he wanted a repeat of the theatrical opening like 38 years ago. Story 8/10, Atmosphere 9/10, Gore 8/10, Visuals 10/10, Action 8/10, Suspense 8/10,Humor 2/10. Entertainment 8/10, Scares 3/10. 85%.
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Let’s not get stuck in the past. A classic will live forever, in “lonely perfection” as David would call its place in history. And now, after thirty years, it’s time to try a new take on the premise – simple but effective, fun at the level of a contemporary, not that of groundbreaking films in the sci-fi genre. I enjoyed Alien: Covenant because it’s a hardcore sci-fi horror flick with fantastic esthetics, breathtaking locations and music that (finally) references the atmospheric scores by Jerry Goldsmith and James Horner. I enjoyed the escalating thrilling scenes (the first scene showing the return to Lander that takes as much as ten minutes ranks among the best in the whole series), and the nicely designed situations in which characters are killed off in accordance with the genre rules. Before the characters get out of one mess, the viewer already knows about another that will make everything even worse for them. Not to mention the healthy dose of blood and brutality. SPOILER ALERT: The script explains the origin of Giger’s creatures and I find this self-destructive notion that the ultimate evil is created by an android created by man rather compelling. Thematically, this is another version of Cameron’s Skynet. The android confrontation gives the Alien universe an interesting new dimension. And the pessimistic ending offers great possibilities for further development in future installments. I look forward to those!
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