Spectre

Although bad (however nicely subversive) Bond movie, but a nice watch. And it could have been much better. However, the screenplay would have to back a way to long footage without particular reason, the tension between the 007, bond girl and the bad guy would have to work better, and the whole thing would have to be at least a little more spectre-style like the opening scene. Anyway, thanks to the open end, I would like to see another Bond movie with Daniel Craig. And even with the same team. (11/06/2015)

The most recent Craig film thus far is a very enjoyable part of the Bond franchise. A great opening reminds one of Live and Let Die, the first girl is the pleasant Monica Bellucci, the second - her complete contrast - Léa Seydoux (the fashionable Frenchwoman we primarily know for her blue hair), but the time period mainly favors Christoph Waltz's styling. Spectre flows nicely, developing the story already begun in Casino Royale, and I'm simply glad that James Bond will return. (08/22/2016)

An essential Bond film. I could have plenty of reservations about it (everything people hate is objectively true), but here, reason loses out on points because when all the important proprieties slowly begin to emerge from the shadows in that rambling style, and you enthusiastically tick them off, it carves itself out in the end into a full-blown epilogue of one acting decade that has reached a complexity beyond most other things. (11/15/2015)

Probably the weakest Bond with Craig... Primarily it doesn’t make sense and yes, it’s great that it contains so much wink-wink references to older Bond movies and hidden meanings, but... it doesn’t make sense and doesn’t answer questions that the viewer asks himself during this expensive spectacle. The excellent casting is degraded by illogical changes in characters’ behavior, badly thought-through jokes in Roger Moore style Bond from the 70s which are ok for the Muppet Show, but in a dramatic action thriller this is seen as unsuitable (the villain simply says “Fuck" in the face of unavoidable death) and spoils the whole effect of an otherwise brilliantly directed scene. I don’t know if the screenwriters went on the rampage, or if Sam Mendez wanted the abandon the brand because he’s had it up to here with Bond. No consistency, just a couple of great moments that you mustn’t think too much about. It stinks of big money. (11/08/2015)

Ironically, it's true that in this year of Bond films, the main Bond film doesn't finish in first or second place, but it defends its third place decently. The perhaps unnecessary hype surrounding Spectre is swirling. I honestly enjoyed it twice as much as Skyfall. Maybe Spectre doesn't have an elaborate enough script with intelligent dialogue like Skyfall, but at least it's not needlessly overwrought and confusing, the action sequences, perhaps for the first time in a Bond film, are clear and spectacular (during the whole opening scene in Mexico, the insane helicopter scene and one of the best fights in Hollywood, where Dave Bautista and Daniel Craig demolished almost half the train, I wasn't holding my breath and had a compulsive need to scream f*ck across the cinema). Apart from that there is a flashy, albeit cautious, but still brisk car chase through beautiful Rome, a plane chase in the Alps, a couple of short liquidations and the finale. So I can't say that there was little action, if there wasn't action, and when there wasn’t action Bond made his first ever wisecrack (and an excellent one!) or we were entertained by the smiling Christoph Waltz, who, although could have given a more expressive performance, I still give him a lot of credit as an actor. A plus for the once again excellent soundtrack by X Factor winner Sam Smith, who is indeed far from Adele. The final impression is positive and I would happily watch Spectre again. 80% (11/07/2015)