Composer:
Neil InnesCast:
Graham Chapman, John Cleese, Eric Idle, Terry Gilliam, Terry Jones, Michael Palin, Carol Cleveland, Julian Doyle, Connie Booth, Neil Innes, Sandy Johnson (more)VOD (3)
Plots(1)
When the mythical king of the Britons leads his knights on a quest for the Holy Grail, they face a wide array of horrors, including a persistent Black Knight, a three-headed giant, a cadre of shrubbery-challenged knights, the perilous Castle Anthrax, a killer rabbit, a house of virgins, and a handful of rude Frenchmen. (official distributor synopsis)
Videos (2)
Reviews (11)
Holy Grail keeps up with Life of Brian with ease. It’s hard to pick the best sketch, too hard in fact, because every second of the runtime is a deadly joke. But if I still have to... Would it be a horseless carriage ride, but with coconut shells? Or the collection of the dead? The Knights who say Ni? The killer rabbit? Tim? Brave Sir Robin? Lancelot, who gets kidnapped? The defenders of the French castle? No, I can't do it. The entirety of Grail is great.___P.S. Today on the occasion of the 40th anniversary from when it was seen in the movie theater and... Well, what can I tell you? Simply an hour and a half of continuous hysterical laughter to tears.
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Well, who would have thought that the metaphorical gate to the famous relic would be opened by expertise in the swallow family? At least until the raid is dispersed by the police. And where are the nine maidens guarding the Grail according to the Welsh poem? Certainly not at Anthrax... The first feature film outside of sketch compilations is essentially a compilation of sketches, but that doesn’t stop the boys from walking across the bridge of absurdity that connects legend with the present. One can’t help but notice the historical shift in the possibility of owning a horse in Britain. While in the tenth century even knights couldn’t afford one, a few centuries later, even a fool like Dennis Moore could ride around with lupine loot.
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Apart from a few classic sketches (The Black Knight, The Bridge of Death), the "let’s grab some costumes and good ideas... Well, let's shoot something," is really evident here. After years pass, the whole loses its charm, and only flashes of python genius remain. The Holy Grail doesn't have Brian's brilliantly conclusive subversiveness or the emphasized cynicism of The Meaning of Life. It's a journey out of from nowhere to nowhere with occasional stops in an excellent parody of medieval folklore or historical films. No wonder the film didn't work originally and was helped by the addition of really retarded heroic music. The more I watch The Holy Grail, the more it feels like awkward transitions that lack both the madness and surreal image of Python sketches. I hate to say it, but... I'm bored with it... and I consider myself a big fan of the Circus.
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Again. Again I’ve tried to find my way through the humour of Monty Python, and again without success. I understand the jokes, I know where they aim at, I know why they’re supposed to be funny, but I don’t find them funny by the most part. Yeah, I laughed a couple of times, but a film without a plot that’s only a sequence of “funny” scenes should have me constantly laughing to deserve a higher rating. I don’t think I’ll give Python another chance.
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I was incredibly bored with Life of Brian, so I wasn't expecting anything better from Monty Python and the Holy Grail, and in fact I wasn't surprised at all because I got exactly what I expected. Monty Python humour just passes me by in a big way and I will certainly never count myself among their fans. If there was any scene where I genuinely laughed, I really don't remember it. The only thing that (really) caught my attention were the animated inserts into the story. In short, the type of movie I'll probably never fully understand.
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Gallery (62)
Photo © Python (Monty) Pictures Limited
![Monty Python and the Holy Grail - Lobby Cards](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/159/212/159212612_a974d6.jpg)
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