12 Monkeys

Beautiful science fiction that has everything that good science fiction should have. Excellent plot, nice tricks, convincing acting performances (god, this Pitt!!!) and, above all, depth, as is customary with Gilliam. Unlike Brazil, it is very accessible, but not trivial and cheap. Gilliam's manuscript makes this apocalyptic story a riveting and incredibly suggestive spectacle. One more science fiction that could be indelibly written into film history. Does Gilliam have a patent for that? (01/26/2004)

Some films can give us an intellectual experience and others can give us an emotional experience. 12 Monkeys gives us both, presenting each in exemplary form and blending them into a perfectly harmonious form in the climax. It is a form in which one can find something new even on the tenth viewing, thus making 12 Monkeys a gem of the sci-fi genre. (10/04/2002)

An interesting futuristic view for that time and a nice concept of time travel, but not so impressive today. There are much better pieces in the genre, more action-packed and more nimble concepts and here not much happens in two hours. On the other hand, the main qualities of 12 Monkeys are not "during it", but in what comes "after it" - or rather, after the closing credits. I've never seen a film that didn't have an official interpretation of the ending, it was explained by the filmmaker, but also by the audience, who simply hasn’t agreed on the final version. And that's what I like about this film. Otherwise, though, the main storyline is too talky for me, and even Brad Pitt and Bruce Willis can’t significantly save it, so I'll leave the three-star rating with the comment that the ending will be on my mind for a long time to come. A fun film. (02/03/2023)

In the best role of his career, Willis left his acting mannerisms behind and dropped his smile #1. An extraordinary film with a brilliantly conceived plot and a breathtaking ending. You won’t get bored for a moment and your brain will work at full speed. The only weakness is the Brad Pitt’s awful overacting, it ruined the impression of the film for me. Thanks to the gods of cinema for Terry Cilliam. (04/20/2003)

For most critics, the film Brazil represents the peak of Gilliam's work, while Twelve Monkeys is considered too mainstream, where Gilliam's creative vision was hindered by strict producer oversight. The truth is that Brazil is indeed a pinnacle work in certain aspects (especially in terms of its visual design), but it is also very unbalanced, narcissistic, and difficult for most viewers to comprehend. On the other hand, Twelve Monkeys is an exceptionally balanced genre film, built upon a strong theme, an intelligent script with a highly emotive plot, and a superbly crafted tragic yet ambiguous final scene. Even a disciplined Gilliam presents his viewers with absurd ideas from his workshop (the punishment chair), Orwellian situations (scientists with gifts above Cole's tortured body), and plenty of clever shots with a sense of composition (Cole's ascent into the abandoned city with wild animals on the ledges of the buildings). The excellent cast is led by Bruce Willis, who delivered top-notch character acting without wrestling holds and punches, unlike in his other films. The crazy Brad Pitt showcased once again that he has a very impressive range as an actor, beyond just a handsome face. We also get the demonic David Morse in a small role. There are no weak performances here. For me, this is the absolute pinnacle of the sci-fi genre. Overall impression: 100%. Excellent work with the time paradox within the genre. Even the very tragic theme of a hero desperately trying to stop a catastrophe is lightened in several scenes with small sarcastic jokes. (06/14/2006)