Directed by:
Brad BirdCinematography:
Claudio MirandaComposer:
Michael GiacchinoCast:
George Clooney, Hugh Laurie, Britt Robertson, Raffey Cassidy, Tim McGraw, Kathryn Hahn, Keegan-Michael Key, Thomas Robinson, Pierce Gagnon, Chris Bauer (more)VOD (4)
Plots(1)
Bound by a shared destiny, a teen bursting with scientific curiosity and a former boy-genius inventor embark on a mission to unearth the secrets of a place somewhere in time and space that exists in their collective memory. (official distributor synopsis)
Videos (27)
Reviews (10)
Cute, a little bit stupid, non-offensive. What more can I say about Tomorrowland? I can see that the movie had great ambitions; digitally, it was amazing and George Clooney wouldn’t take just any gig, but the overall story is so strange that it’s actually a good thing that they only ended up shooting one movie. The first time, it was okay with my eyes half-closed, but if I were to watch it again, I’d have to have a blindfold on.
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Brad Bird tries to be the same fanboy as Abrams, but while J.J. is a geek and also a sophisticated filmmaker, Bird lets the material slip through his fingers and and churns a 130-minute feature film upside down just to make it work. But it doesn’t quite work. Apart from breathtaking visual effects and a wannabe pseudo-mission, it has nothing to offer but a routine Hollywood standard, and that's not enough for such an ambitious and grandiose project.
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If I have to sit in the cinema for almost two and a quarter hours for a story with boring characters, boring twists and an ending that doesn't make much sense, it would be nice if there was at least something to watch. But there's only about fifteen minutes of Tomorrowland in total. The rest of it is mostly driving an old car around the countryside and babbling about nothing. This was probably meant to be a family film for everyone, but nobody will like it.
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Disney presented another beautiful vision, which is simply visually stunning. On top of that, you still get a story that's nicely family friendly, but with grittier moments here and there. But don't expect blood, of course. If you like Disney, you'll get what you expect, maybe a little more. I took away a nice warm feeling from the film. For a small instant, one believes that there is hope for humanity.
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I had quite a few laughs and a lot of fun watching this, especially thanks to the slightly pedophilic aging inventor Frank with his house full of surprises and Hugh Laurie as the villain. Britt Robertson was also great here, unlike in The Space Between Us. The story had a decent pace. It’s just that the over-the-top politically correct ending was about as enjoyable as if the filmmakers had slapped me with a dead mackerel.
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