Directed by:
Wes BallCinematography:
Enrique ChediakComposer:
John PaesanoCast:
Dylan O'Brien, Kaya Scodelario, Aml Ameen, Thomas Brodie-Sangster, Ki-hong Lee, Will Poulter, Patricia Clarkson, Blake Cooper, Dexter Darden, Jacob Latimore (more)VOD (3)
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In a postapocalyptic future, a group of teenage boys are trapped in a mysterious community where they must solve a giant maze in order to survive. (Netflix)
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Reviews (7)
It was very difficult to trust a potential future blockbuster that which was charged to a brand new and inexperienced director, but surprisingly he did it with style and ease. The young actors are charismatic, we have future promising actors some of whom may have decent careers ahead of them. The pacing is very decent with no dead spots, the story is also very good for the genre and features many a cool twist, the action is clear and spectacular, some scenes are so well paced that they are almost palpable with suspense, and of course the unpredictability is the main draw of the film, it leaves you in anticipation until the last minute. If you liked Lost, this works on a similar principle. 80%
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Considering what has been coming to us from Hollywood lately, at least in terms of fantasy targeting teenagers, this is still quite well done. The theme is very good, but slightly mishandled because there is clearly room for something grittier that would fit better. The ending is a bit uncertain, and surely a sequel will be needed to see more, but still, I have a good feeling about the first film.
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From the perspective of the managers of the maze, it's actually a pretty sad story. Just put yourself in their shoes – you spend considerable funds on your social experiment to map the survival skills of a closed-off group of boys, and they invent epilating cream before, say, flint. Sure, you curse yourself for making them all those bodices with the non-functioning buttons as a dress code, but you still have confidence in yourself that you can get the whole situation back on track. Out of desperation, you add to the group a gay guy with the scariest eyebrows of the decade, then you serve them a curly-haired fatso who would even get bullied at UNICEF, and last but not least, you don't disdain to send in a semi-autistic weirdo whose range of expressions would make a rock cry. In one last desperate spasm, you finally send them a spunky girl. In vain, it must be admitted – you are responsible for the most costly state-subsidized Blue Oyster Bar east of Venus. So you confront the problem head-on and unleash all the props from Wild Wild West on them to clean up your mess, except it all goes wrong and now deal with it. ________ Maze Runner is a pretty awful Frankenstein menstruum that isn't shy about ripping off practically anything that's made any money in the last 15 years, gluing it together with gum arabic, and pretending I'm holding something unique. In fact, despite its "wicked is good" tagline, the film's only uniqueness is a terrifying cowardice, where any sample of the population selected for any action always includes virtually every ethnic subgroup, the suddenly appearing girl has almost no relevance and no one really cares much about her, however it may then raise rather bold theories about how things have worked this far in this all-male society, given that after three years of abstinence, shaved sweaty boys and men pay virtually no attention to her. All inventiveness is basically exhausted on biomechanical monsters, otherwise it's really just the boring hodgepodge of an untalented director with nothing to lean on, despite the whole set being lined with walls.
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The Maze Runner works in a similar way to The Hunger Games: the story is set in an unspecified future, and the protagonists have to deal with a reality that operates according to the rules of someone from outside, or someone from above. The storyline builds up nicely to the very finale, which reveals the imaginative point of everything that's been going on throughout the film, and also sets the stage for the sequel. The cast was mostly good, and there were few quality scares, which is strange considering the setting in the middle of a labyrinth, but this wasn't a horror film after all. In short, a film that is another in a long line of various sci-fi products, but certainly doesn't disgrace itself and stays above average.
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At the beginning, excellent work with a great atmosphere and a well-developed screenplay full of solidly escalating tension, delivering a multitude of questions and forcing us to think. Unfortunately, it only lasts until about halfway through, when the rule "if you've seen everything, there's nothing left to fight for" starts to effectively apply, and it only goes downhill qualitatively from there. The same can be said about the tension and the good feeling from a relatively imaginative-looking intimate project with unfamiliar actors. The ending is horrifying.
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