Directed by:
Sam Taylor-JohnsonScreenplay:
Kelly MarcelCinematography:
Seamus McGarveyComposer:
Danny ElfmanCast:
Dakota Johnson, Jamie Dornan, Jennifer Ehle, Eloise Mumford, Victor Rasuk, Luke Grimes, Marcia Gay Harden, Rita Ora, Max Martini, Callum Keith Rennie (more)VOD (4)
Plots(1)
Fifty Shades of Grey, is the film adaptation of the bestselling book that has become a global phenomenon. Since its release, the "Fifty Shades" trilogy has been translated into 51 languages worldwide and sold more than 100 million copies in e-book and print—making it one of the biggest and fastest-selling book series ever. (Universal Pictures US)
(more)Videos (17)
Reviews (16)
I can’t shake the feeling that marketing-wise, this is the most lucrative slushy romance I’ve ever seen. And I only watched it because I expected some sort of a breakthrough in the world cinematography. But nothing happened except for one strange relationship that doesn’t really show us anything; just a bit of whipping and one very modest torture chamber. Dorian Gray might be a psycho, but he still acts rationally and so nothing truly bad happens to Dakota. The ending was weak because I know that Dakota’s dominance won’t last very long.
()
Music good, cinematography awkward, equally awkward performance by Jamie Dornan. Dakota was still okay, but nothing great under the sun. The beginning was really a mouthful, I thought I wouldn't be able to finish it, but I endured simply because of masochism. An erotic film that tries to have some psychological overtones, but that gets pretty lost in the superficial beginning and middle (god I was getting hysterical fits of laughter at some of the dialogue and "thrills"). Basically, it only starts to get interesting at the end, when Ana realizes that she's not very happy, she starts to have her doubts about the whole sex trip. Despite all the stupid lines, and a couple of fairly well played verbal exchanges, it wasn't the horrible movie I thought it would be in the end.
()
A movie that starts five minutes before the end credits with the only scene that evokes any emotion. The rest is too Harlequin romance-like and shallow to engage viewers and allow them to relate to the characters in any way or to have any interest in observing the evolution of their “relationship”. Dakota Johnson’s acting is OK and natural. Jamie Dornan is not natural and his acting is reminiscent of Ben Affleck in Armageddon. And everything falls apart with him because his complicated and wannabe opaque character is supposed to be the core of the film, just as Sharon Stone was the core of Basic Instinct. Or at least I hope that the book is based on psychology and not flying helicopters and cars given as gifts. The contract negotiation scene shows the only spark of the director’s creativity in this gray, gray void. But it is irrelevant to the film as a whole. The most characteristic scene here is the one involving playing the piano after the loss of virginity… Personally, I was pleased by the answer “Me” to the question “And what will I get out of it?” Because I, ever impatient, never knew how to answer this particular question and always opted to move on to find a different, more experienced candidate.
()
So I watched it and surprising I don’t have the urge to trash this modern romance. In the end, this dumb (not as cute as in the Transformers) and senseless story comes to some conclusion. Quite surprising, if you didn’t watch the spoilers. It doesn’t even completely slip into an outright American Pie. In terms of actors, this a terrible bunch of unlikeable people, the only one who is sort of nice is (that pathologically disturbed) Mr. Grey. My girlfriend fell asleep after the first kiss and I dropped of when I thought that it must already be the end (about 10 minutes before it really ended). I finished watching on Labor Day. Everything taken care of now. P.S.: Elfman’s music was very pleasant.
()
I'll admit right at the beginning that I went to see Fifty Shades of Grey in the most ironic mood, because I thought it would be a good idea not to have a good time on Friday the 13th, and this film literally called for it, starting from what I heard from people who had read the book, to the numerous ads everywhere, to the first reviews here, all of which piqued my curiosity even more. I honestly expected this film to be much worse. In terms of the script, it was absolutely mismanaged. Unfortunately (or fortunately) I haven't read the book, so I don't know how things work there, but I had to laugh at some of the actors' statements, even if the scene in question was probably meant to be taken seriously, which it really wasn't. This impossible to ignore shortcoming was balanced, on the other hand, by a really great soundtrack – “Love Me Like You Do” by Ellie Goulding played in my ears daily for at least a week before the premiere. At times it reminded me of a bad Twilight parody, which is actually a parody in itself, so let's call it a meta-parody. Nevertheless, I don't want to give it a Boo! rating, because there were several funny scenes, the music was perfect, and it wasn't actually as mindlessly erotic as one would expect. In short, a film that will earn its money at least through advertising and various promotional items, but will still draw lots viewers (at least female) to the cinemas, so despite its obvious mediocrity, this film will soon see a sequel.
()
Ads