Deliver Us from Evil

A decent exorcist thriller that puts its money on a realistic environment. No shortage of surprises - and they work pretty well, even though nothing absolutely amazing and, if it wasn’t for the fairly standard story, I would definitely give it four stars. The clash in the finale was intense, thrilling and breathtaking. Derrickson has a talent at creating a great atmosphere, Dr. Strange is in good hands. (10/28/2014)

Well done! A horror film that is watchable and enjoyable, unlike all that weird mainstream stuff. The film builds on a good story and cast and is filled with a perfectly grim atmosphere from the start. I was going to give it five stars, but I was put off by the ending. From the rescue of the wife and daughter until the closing credits, it turned into a very unpleasant surprise and even disappointment. The screenwriter is not to blame, he couldn't have come up with a different ending, as the film was based on true events... (08/10/2016)

With Scott Derrickson, it's clear from the start that he's going to focus more on the crime element and only at the end will he pull out the horror cards. Actually, even in The Exorcism of Emily Rose and Sinister it was primarily crime driven horror, so to blame the director for something we assume with every other one of his ventures seems silly to me. So, about the film: the actors are decent, the high budget is obviously evident, the cinematography, editing, visuals are all of a high standard, the atmosphere is decently dark and gloomy, I was also pleased with the abundant animal presence, and the final exorcism was unnecessarily long, but it was uncluttered and decently horrific. For me, therefore, only positive impressions prevail. 75% (10/14/2014)

Technically, this is absolutely divine. Legendary shot composition, transitions in focus, lighting, and masks. Thank you. The rest of the cast, led by the haha hoo hoo owl and the integrated demonic MP3 in the hero's head, does its best to make you spit Bruckheimer-flavored popcorn at the screen and giggle through the next two scenes. Fortunately, we're told that the senselessness of the dark forces' actions is due to the fact that we as humans are unable to grasp it, so that takes care of that. Plus, I'm of the opinion that Scott Derrickson’s ol’ pal Jesus should dock his allowance. (10/25/2014)

One day, Catholic cop Sarchie got blind drunk and had a fit at the jukebox playing The Doors. And now there’s a humorous police crime buddy exorcist horror “inspired by true events" where, thanks to the width of the genre, you don’t get clichés you’ve seen a hundred times over from just one or two, but from three genres at once. So situations arise where separate clichés meet in clashing combinations and create something completely new, often bizarre or downright ridiculous, but always (however unintentionally) entertaining. If only it could decide what it wants to be, if it were shorter, if only it didn’t run off naively into ridiculous situations (welcome to the tomb with the twisting Morrison or the furry owl) if only the frights weren’t so cheap and pre-warned, if only Ramírez had at least a pinch of charisma, if only McHale weren’t Jeff from Community, if only this, if only that, this could have been good, very good. Unfortunately, there are too many “if only"s for one picture. (07/03/2014)