Directed by:
Luc BessonScreenplay:
Luc BessonCinematography:
Thierry ArbogastComposer:
Eric SerraCast:
Scarlett Johansson, Morgan Freeman, Min-shik Choi, Amr Waked, Lio Tipton, Pilou Asbæk, Mason Lee, Claire Tran, Frédéric Chau, Jan Oliver Schroeder (more)VOD (4)
Plots(1)
A woman, accidentally caught in a dark deal, turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic. (official distributor synopsis)
Videos (9)
Reviews (13)
The beginning without powers was very entertaining and also suspenseful, the part after gaining them was less so, but still good, but the closer it got to the end, the more I stopped caring about Lucy. At least the film went by quickly, I wasn't too bored and I didn't need even 5% of my brain capacity to watch it.
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How could a movie that tries to feed the audience such outrageous theories attempt to look so serious? And what was Luc Besson smoking when he wrote this? Scarlett Johansson made my eyes happy, but my brain got the medieval treatment.
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When you expect the female version of Taken and you get something between The Matrix, The Tree of Life, and Cloud Atlas, something is not right. The people behind this film let their imagination roam freely, the car scenes in Paris are VERY impressive, but that's where both the action and the overall script ends. The boldness is appreciated, and Scarlett Johansson tries her best, otherwise, it's a mess.
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Blatant guilty pleasure! I think that Besson saw Space Odyssey and wanted to shoot something similar, but in his own way and on an earthly scale. The result is a total mishmash from hands of an over-keen geek mistaking this thing for that, who cares about reality... But the entertainment factor is on maximum and Morgan Freeman’s gibberish about the capacity of the brain blends together with neat action scenes where anything is possible (The Matrix gone crazy) and planets that explode. They’ve even got dinosaurs! Awful claptrap that I wouldn’t hesitate putting on again sometime. Scarlett looks great of course and manages the acting fairly well. New Age Fifth Element.
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Scarlett is hot but has absolutely nothing to work with, the story has potential but is mired in a horribly shoddy earnestness, and Besson does present some good visual ideas, but for today's mainstream this nutcase is simply unusable and uninteresting. To limit a world in which almost everything is allowed to a few anti-gravity shenanigans and the transformation of matter like something out of B-grade sci-fi from the 80s takes a great deal of filmmaker's pathology.
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