Directed by:
Matthew VaughnCinematography:
George RichmondCast:
Colin Firth, Taron Egerton, Mark Strong, Samuel L. Jackson, Sofia Boutella, Sophie Cookson, Michael Caine, Mark Hamill, Jack Davenport, Edward Holcroft (more)VOD (3)
Plots(1)
Kingsman: The Secret Service tells the story of a super-secret spy organization that recruits an unrefined but promising street kid into the agency's ultra-competitive training program just as a global threat emerges from a twisted tech genius. (20th Century Fox)
Videos (21)
Reviews (14)
Cruelly insane fun, in my eyes even a notch better than Kick-Ass, mainly thanks to the likable main character and the fact that everyone is likable here, including the bad guys. Kingsman is a movie whose creators (and characters) were pining for funny spy flicks, so they just figured they'd make another one. They were inspired by the original Bond films, the Agent Flint films, maybe even the Mission: Impossible series and this is what was created. Two hours of hilarious bloody silliness, where all the agents wear the glasses once made famous by Michael Caine, where Colin Firth is an incredible badass, although you would never say that to him, where everything makes sense, no matter how goofy it is, and where the viewer is constantly surprised by something. Matthew Vaughn was clearly in his element when he was conceiving and filming Kingsman, and it's clear that unlike X-Men: First Class, he didn't have his hands tied in the least bit, so he could run amok. Sensational, sensational. He made one of the few films that I immediately want to watch again as soon as it's over.___P.S. My only complaint is about the princess's catchphrase, which is quoted enthusiastically by perhaps half of the comments here, but which did not amuse me one bit.
()
Matthew Vaughn again shot an almost perfect entertainment which has everything a funny gangster movie needs. A villain with a lisp, portrayed by Samuel L. Jackson, macho agent Colin Firth or a really likeable muddler Taron Egerton. Add in a rather classic story, but with a truly excellent interpretation, which is most apparent in the rather brutal, but all the more fun action scene in the church. I don’t know if Matthew Vaughn is a genius, but he is one of the few directors whose films I keep revisiting and after watching them again I rate them even higher. After Stardust, this flick is the best he managed to entertain me with so far. And I hope it was not the last time.
()
I don’t know if I’ve ever seen a film that so accurately reflected teenage mentality. In some of its details, Kingsman is excellent and breathtaking, in others, I found it awful. Overall, I had fun with it, thought rather reluctantly. Many people value its attempt at being constantly entertaining, tough, controversial, fierce and refreshing, but, unlike with Kick-Ass, for instance, Vaughn here doesn’t keep a measure on things and in some places he falls into a cesspool of a category I can call spoilt brat. That’s what bothers me the most about a film that’s supposed to be about gentlemanhood. The brutal violence against bystanders is here portrayed and presented as cool fun. That not only goes against my moral principles, but also brings up another internal conflict: how are we supposed root for the heroes to thwart the villain’s plan, if it is only when villain wins that we can get another serving of eye-candy brutal action, as in the church (which is the most talked about, not only here)? And what skills of the candidates was the last task of the admission process supposed to reveal? The ability to follow even the most stupid orders without question? Thanks very much for that. Maybe if I was a bigger fan of the old Bond films, my feelings towards Kingsman would be more positive. Or probably not.
()
I knew from the first minute that this film was going to be a five-star affair, but I had no idea that after watching it, it would become an instant favourite and the best film ever made, on par with The Dark Knight and The Raid 2. A brilliant, precise and high quality film in every aspect, yes every single cinematic part here is pedaling at 150%. The highlights: attractive and original visuals, an excellent idea, authentic and original cinematography that draws the viewer into the story, perfect acting (Colin Firth, Samuel L. Jackson, Mark Hamil and that irresistible evil babe with very sharp high heels), polished dialogues that are witty, blackly humorous, intelligent with lots of interesting wisdom, lessons and moral principles, and, above all, absolutely TOP NOTCH classy action that is breathtaking, ass-clenching, heart-jumping and erection-inducing! I must also praise the very well chosen soundtrack for every single scene, the amazing gradual build-up of tension, the literally heart attack inducing moments (the countdown to the end of humanity, the parachute jump, the perfect training), and most of all the originality. The film is bursting with one idea after another; it’s unbelievable that in this day and age someone can make a film where every scene, every invention, every single action set-piece is brand new, original, distinctive... and for horror buffs, there's plenty of blood and violence. I must urge all my friends to go to the cinema. Unless you are a curmudgeon, a nerd, a rabble, a universally hated entity and a village scum you will be as satisfied as I am. There hasn't been a more entertaining movie in years. Seen twice already and soon for the third time. 1000%!!!
()
Kick-Ass made in a style of classic Bond movies. And it is done so consistently and one to one (again, it is genre conscious as much as subversive, furious, with a considerable portion of meta exaggeration, it emphasizes being cool in all circumstances and the resembles in clearly seen also in the course, the type of roles, allusions, etc.) that is clearly to its detriment, because the Vaughn/Millar duo are undoubtedly capable of doing more than just copying themselves. However, if (and as long as) it is such a thoroughly likeable incorrect fun, who would mind it? PS: Too bad the official subtitles, which are not very imaginative are not very good. At least Valentine's speech impediment directly calls for a playful approach.
()
Ads