Directed by:
Denis VilleneuveCinematography:
Roger DeakinsCast:
Ryan Gosling, Harrison Ford, Sylvia Hoeks, Ana de Armas, Robin Wright, Jared Leto, Dave Bautista, Carla Juri, Mackenzie Davis, Lennie James, Barkhad Abdi (more)VOD (3)
Plots(1)
Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years. (Warner Bros. US)
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Reviews (19)
The promising start and the entire first half of the film draw the audience into the great atmosphere embellished with design gems and monumental sound. Unfortunately, the plot development lags behind in terms of originality and sorely lacks space for the main villain, who was supposed to be the movie’s most powerful character, a threat to what remains of civilization and the system that has left the world on life support. And the usually great director Denis Villeneuve gets rid of him after just a few scenes, during which we learn nothing about him. The famous android musical theme “Tears in the Rain” in the ending brings us closer to understanding the feelings of the young Blade Runner and arouses nostalgia. But that’s not enough for a 160-minute film whose slow, almost sluggish pace doesn’t correspond to the depth and complexity of its plot. In other words, Blade Runner 2049 is an audio-visually stunning empty bubble.
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Unfortunately, this one missed me. I turned off the old Blade Runner halfway through and it would have turned out the same had I watched this one at home. I consider Denis Villeneuve to be a very promising and skilled director, Sicario with Prisoners are among my favorite films, but I find Blade Runner 2049 unrewarding as an audience member. Visually, of course, it's a treat and makes you want to take a camera and photograph a every single scene. Ryan Gosling was a good fit for the lead role, but that's probably all there is to it. The vaunted Harrison Ford shows up 30 minutes before the end, a time when you are tired and exhausted, Jared Leto as the bad guy is there 10 minutes overall, which is perhaps one of the biggest problems, because a good bad guy makes a good movie. The R-rating is very underused, there are no twists and the action makes up about 15 minutes of the 163 minute running time, well no wonder 5 people left the theater and if I wasn't an proper movie fan I probably would have left too. Too artsy, surreal and dreamy, it almost gave me hemorrhoids from the constant changes of positions in my seat! 45%
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I am still trying to find my way in the first installment because I hid my indisputable intellectual outbursts in a too one-sided narrative. Now Hampton Fancher and Michael Green are turning such a concept upside down and subtly unfold countless philosophical and psychological motives behind each seemingly clear scene or line. How much resonated within me even after a simple advertisement or a glance into the distance. To make viewers wait so long for someone they are already eagerly trembling for, according to the poster, can't be done just by anyone, and it surprises me how much depression lies behind that waiting. In Denis Villeneuve's rendition, the year 2049 has heaps of pain in its corners, but paradoxically awakens long-forgotten joys, hidden in memories "someone experienced." It wrenches an unwavering desire to live or exist from the depths of the soul and proves that the new Blade Runner is definitely not cold, and those who say so perhaps didn't even perceive it that way. Ryan Gosling was born for roles full of hidden emotions, so I experienced that inner turmoil and rising resistance with him to the very last drop. In my case, it was an intense, extremely emotional experience thanks to ethereally light and resonating music when the story cut me somewhere in the heart at unexpected moments, conjuring bitter tears. The only thing that was cold about it was the snow, the rain, and the mood of the world in which it took place.
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Much better than I was afraid of, but much worse than I hoped for. The first is true mainly due to the accurately captured peculiarly slow hypnotic "non-spectator" atmosphere (I felt like it was 2049 minutes long), addressing major existential issues through slight hints (however worse than in previous movies), refined in terms of design and ideas, functional update of the world by thirty years, the roaring and intoxicating audiovisuals prove that it is not the same with only slight changes, in other words we can see a real acting of Ford. The second is true because of several plot lines from the final sequence, which are questionable, or even reprehensible. There is quite a lot of too long or even superfluous scenes. It´s too cold, despite the desire to raise emotions and there are to many different topics that are only mentioned and then fade away as quickly as a flash. It will definitely not become a timeless legendary movie, only perhaps in terms of craftsmanship perhaps, but it´s absolutely more than just a damn good anti-utopian film. That´s for sure. The question, of course, remains whether "more than damn good" is enough in the case of the follow-up of one of the most influential films of the movie industry.
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A visually intoxicating sequel that should earn at least Deakins an Oscar. Villeneuve prepares the ground in the first half and takes us back to the familiar world from the mind of Phillip K. Dick, where the bullied Gosling is trying to do his work. The offering to racist roots works better than 12 years in chains. Digging about in the past is another tribute to old school detective movies and Elvis steals the show in the Vegas sequence. Heavy ruminations about the nature of artificial beings, about what is reality and what good is and is not good. A fantastically negative Leto who, in this memorable role, fundamentally means well. Ford’s return to Deckard’s shoes is expedient, not just a cheap promo. He’s still got it in him. Zimmer’s music again thunderous. Interlinked.
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