Directed by:
David YatesScreenplay:
J. K. RowlingCinematography:
Philippe RousselotComposer:
James Newton HowardCast:
Eddie Redmayne, Dan Fogler, Colin Farrell, Katherine Waterston, Alison Sudol, Ezra Miller, Samantha Morton, Jenn Murray, Jon Voight, Gemma Chan, Carmen Ejogo (more)VOD (5)
Plots(1)
Fantastic Beasts and Where to Find Them opens in 1926 as Newt Scamander has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident... were it not for a No-Maj (American for Muggle) named Jacob, a misplaced magical case, and the escape of some of Newt's fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds. (Warner Bros. US)
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Reviews (14)
Five years is an incredibly long time, so when the first notes of the familiar soundtrack started playing, genuine goosebumps appeared and didn't leave me until the closing credits. My beloved JK Rowling is constantly adding surprises, new ideas, and genuine magic to the script every few seconds. What's more, Eddie Redmayne perfectly fits a role for the first time in his career, a role tailor-made for his quirks and shyness, which stands out even more in contrast with the chilling (and as expected, perfect) Colin Farrell. But what I enjoy the most is that the heroes are adults who are skilled in magic, so all the chases are incredibly dynamic. Combined with the touching fairytale romance, it's not just a surprise, because I was expecting a fantastic spectacle, but I didn't expect the Fantastic Beasts to play the most touching personal notes for me.
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If you expect to go see something that will expand the universe you’ve identified with your entire childhood and that you still swear by to this day, you tread lightly – even on the cinema carpet itself. You have no clue just how enchanted you’ll be in the upcoming minutes. You do not make a sound and suspect that it all ends well. But suspicion isn’t automatically a win. Sometimes it all goes bad and it can be a real mess-up. But not in Newt Scamander’s case, who has originally introduced himself to me with zero emotions and via a book that I’d gotten as a Christmas gift that winter, that I haven’t touched since and that’s been collecting dust somewhere. But film studios are a superpower and money needs to come from somewhere. And when one brand is squeezed dry, another one must replace it and so Newt came to the stage, starting with movie number one and ending with god-knows-what number, all according to the earnings and creative possibilities, of course. But personally, I gotta say that Newt and the other characters have all left a mark on me. During the movie, I realized that once again, I was in the world of witchcraft and wizardry, just a few years earlier than before, which isn’t bad at all. I was also happy to watch Katherine Waterston and Alison Sudol, both of whom I hadn’t even known before. The muggle Dan Fogler also didn’t disappoint me and so didn’t Johnny Depp at the very end. I feel like I know the direction it’s all going to go and honestly, I’m glad Johnny Depp will be a part of it. It’s almost as if my childhood was coming back… And with these kinds of movies, that’s never a bad feeling.
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This movie is a two-hour shapeless glob of spittle, that someone spat out and left lying on the ground, just because Rowling wrote it, and Potter aficionados have to lap up anything connected to that world. If it was not a cult brand or, god-forbid, a completely independent work, it would most certainly have received a similar beating that The Last Airbender got. However, as symbolic as Potter is for a whole generation, they could afford to play on nostalgia, and, without hesitation, indulge the audience with a ton of kitsch, because the audience would surely forgive the movie for its many shortcomings. And then, if that is not enough for you, the pacing and atmosphere are completely dead, and the characters are indistinguishable. The scenes themselves are meaningless, put there just to show off the visual effects, and then there are the fast blurry action scenes, that appear lavish on the surface, but lack any real ideas on a deeper level. However, the movie suffers most from the impotence of its story - basically, nothing happens during the first hour and a half (!). Then, only in the last half hour do we get away from the long introduction to somewhere else. Rowling should have simply stuck to writing books and not tried to write screenplays, because she obviously has no feeling for writing movie discourses at all. She could have brought a more experienced screenwriter to the team, as she had already taken the position of movie producer. Although I still like the original book and its movie series out of nostalgia, this two-hour show of tedium almost bored me to death, and I can hardly remember the last time I was so distracted from what was going on in the story, by what was on-screen visually. For the last half hour, I will give it 1 star.
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I simply can't write about this film other than as a huge pleasure. It gets everything right, and if I reach for the comparison that is directly offered, the magical duel between the fantastic Mlok Scamander and the bland Doctor Strange has a clear winner. Fantastic Beasts and Where to Find Them does not need a boring introduction to introduce us to the main characters (although they are relatively unknown), because they are all experienced magic people and we get to know on the fly what they can or cannot do. They don't even need awkward jokes behind every scene, although there is no shortage of humor. Of course, they have the advantage of being set in a familiar world, but they don't settle for that and expand that world very nicely with new plots, characters and little things like "Muggles in England, non-wizards in the USA". It's all understandable, whether you know Harry Potter or not, and enhanced (how else?) by a fantastic cast led by the quirky Eddie Redmayne, the delightful Katherine Waterston and the brilliant romantic comic duo of Dan Fogler and Alison Sudol.
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Nice surprise. The collaboration between David Yates and J.K. Rowling turned out great again. The film has only details in common with Harry Potter (the opening soundtrack, the orcs, the newspaper with the video, the names of the spells and the magical effect after the clash of wands), but in any case the film has a similar atmosphere of mini references as The Hobbit films. Eddie Redmayne is really a class act, at first I found his speech strange, yet he shows that he has his acting qualities, the two cute little sisters and the hilarious Dan Fogler were also great. I liked the whole concept of catching monsters in a trunk throughout New York, I wonder if there will be a different city in the next installment. The creatures are filmed brilliantly and are something to watch. Colin Farrell as the bad guy is also decent. Story 8/10, Atmosphere 9/10, Gore 0/10, Visuals 9/10, Action 8/10, Suspense 7/10, Humor 6/10. Entertainment 8/10, Scares 0/10. I'm glad to see the start of a decent series again, all the good ones are over. 85%.
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