Directed by:
Robert SchwentkeCinematography:
Florian BallhausComposer:
Joseph TrapaneseCast:
Shailene Woodley, Theo James, Kate Winslet, Ansel Elgort, Miles Teller, Jai Courtney, Zoë Kravitz, Naomi Watts, Maggie Q, Daniel Dae Kim, Octavia Spencer (more)VOD (4)
Plots(1)
THE DIVERGENT SERIES: INSURGENT raises the stakes for Tris as she searches for allies and answers in the ruins of a futuristic Chicago. Tris (Woodley) and Four (James) are now fugitives on the run, hunted by Jeanine (Winslet), the leader of the power-hungry Erudite elite. Racing against time, they must find out what Tris's family sacrificed their lives to protect, and why the Erudite leaders will do anything to stop them. Haunted by her past choices but desperate to protect the ones she loves, Tris, with Four at her side, faces one impossible challenge after another as they unlock the truth about the past and ultimately the future of their world. (Lionsgate US)
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Reviews (7)
Insurgent is in many ways similar to Divergence, so my viewing experience was more or less comparable for both parts. The second part is a bit more mature, more drastic and more rebellious, but even so, the relationships between the characters come to the surface again, balancing out the rebellious side of the film. Many claim that this is a poorer sibling to The Hunger Games, but I like both series equally, so I'm satisfied. In short, a decent continuation of a story set in a post-apocalyptic era that offers one more look at society and people in the future.
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A B-movie version of Hunger Games, just less political, less pretentious, and much more straightforward with a similarly likable protagonist and definitely better chemistry between the leading duo. Unfortunately, they were unable to avoid the typical trademarks of second-rate PG-13 entertainment: an embarrassingly predictable script, unbelievable emotional dilemmas, and hopeless plot twists (someone is about to die, and snap, the story takes a turn, and someone saves them at the last moment). Nevertheless, it still goes by significantly faster than the third installment of Hunger Games, and you won't have that feeling of being used because your expectations for the Divergent are not that high, though they should be taken into account.
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Okay. A film full of completely unnecessary scenes and lengthy storytelling that only leads to a dull ending, making you indifferent to what happens to the characters. If the book is written as poorly, I really don't understand the tastes of the younger generation and what they actually want to read. I wouldn't want to read this. Boring action scenes, boring scenes in the simulation, and just an absolute disaster.
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Without prior knowledge of Divergence, this film is virtually unwatchable. The directing is worse, the film is stupider, and it has an even weaker plot and more empty dialogues. The action scenes are a slow, there is almost no emotional connection with the protagonists, and there are plenty of dead spots during which nothing happens. But the overall impression of Insurgent is that nothing happens in it for almost the entire runtime, and it can't be saved by any of decent actors, or by technically-successful digital tricks. The film is about nothing, the main protagonist deals endlessly with her traumas, and all we can do is shake our heads at how the futuristic world of Insurgent is desperately dysfunctional and meaningless even within itself.
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Continuing from last year's impressive adaptation of excellent source material is not exactly an easy task, especially if this time you have something slightly less gripping to work with. Given the completely new creative team, I understand the completely different feeling and surprisingly nod approvingly at the omission of drawn-out book passages (the stay with the Factionless) and the fact that the main trademarks of the series still feel divergent enough. However, the biggest triumph remains the phenomenal casting. That year, during which the actors of the main group of youths (Tris, Four, Caleb, Peter) gained experience elsewhere, is reflected in their performances in a tremendous way, and it is their talent that completely makes us forget the unstable narrative foundation on which the whole saga ultimately stands.
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