Directed by:
Fede AlvarezCinematography:
Pedro LuqueComposer:
Roque BañosCast:
Jane Levy, Stephen Lang, Dylan Minnette, Daniel Zovatto, Emma Bercovici, Franciska Törőcsik, Jane May Graves, Christian Zagia, Katia BokorVOD (3)
Plots(1)
A group of friends break into the house of a wealthy blind man, thinking they'll get away with the perfect heist. They're wrong. (Sony Pictures Home Entertainment)
Videos (4)
Reviews (13)
Fede Alvarez really captured my attention since Panic Attack!. But at the time, I had no idea that his creative skills would take a turn towards Sam Raimi and Timur Rodrigez. I am not saying that it’s bad, I just think that he could do better. That is very visible in this movie. Even though it pretends to be a horror movie, I would describe it rather as a thriller with illogical situations similar to those in horror movies. In this case, though, I don’t really care because the movie is mostly about the idea and the atmosphere, so it is fine when the director helps himself out with some illogicality. For example, I have to say that two of the three thieves in this movie have nine lives like a cat, because what they survive would be impossible even for Chuck Norrisʼs third cousin. But well... yeah, at least there is something to watch.
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A great genre exercise that excels at exactly what the given jewelry box needs, namely that for all the little ideas, suspenseful scenes, unexpected reversals, and overall intensity, you completely fail to perceive more than one logical barrier. Detroit is also starting to become my favorite horror destination after It Follows or Only Lovers Left Alive. Empty houses, empty streets, empty people, and the feeling that if you get lost you'll never be found again, all set against the backdrop of the hardscrabble fresh socio-economic history of the whole place. Suck it Blumhouse, this is how it's supposed to be.
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Alvarez is a master. In Don’t Breathe he delivers a similarly intensive and energetic horror story as in his recent remake of Evil Dead, but with a more focused and, in many aspects, more surprising tale, based on a simple premise that is exploited to the maximum effect. In other words, satisfaction in every aspect. My only quibble is all those “endings”, where it seems that it’s “done”, but it turns out it isn’t due to bad decisions. Regarding the small time criminals from Detroit, nobody would expect them to behave rationally in a crisis situation, so OK. Don’t Breathe, however, stands out formally and with the performances. Stephen Lang as a blind war veteran is one of the best horror villains in recent years and Jane Levy is a candidate for the modern Scream Queen – the poor thing has gone through a lot in both Alvarez’s films :D... The camera, the sound, the dirty atmosphere. GREAT! Thanks to its sober run, the film is the antithesis of boredom and it’s also impossible to take the opposite critical position, that it’s too harsh and nasty. It is what horror should be. Certainly one of the highlights of the year.
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Finally, a properly suspense-filled haunted house without ghosts. And one jump-scare that will give you a heart attack. I wonder how many viewers will realize that the butcher is played by the famous villain from Avatar. The youngsters are also A-listers and the whole production is top rate. Sam Raimi is a guarantee of quality. They were probably attracted to the creepy sites of Detroit ghost-town by the recent delicious It Follows. The movie makes surviving difficult for the characters while making many a genre cliché sweat (and bleed). The point of the film is half-baked, but we can forgive that.
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I used to believe in Fede Alvarez a lot, then after Evil Dead sent him packing – and now I am cautiously taking him back. Because in Don't Breathe there is none of the expected gore or cheapness, except for that specific basement episode, but in terms of genre, surprisingly ambitious composition lies in this eerie building. This game with audience expectations, where my relationship to the characters repeatedly and significantly changes, has no equal. Combined with the natural progression of scares and an unbearably intense scene in absolute darkness, I willingly overlook a few moments where a viewer with a taste for finding plotholes could show a bit of mercy.
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