Directed by:
Petr JáklCinematography:
Jesper TøffnerComposer:
Philip KleinCast:
Ben Foster, Sophie Lowe, Michael Caine, Til Schweiger, Matthew Goode, William Moseley, Roland Møller, Karel Roden, Werner Daehn, Kevin Bernhardt (more)VOD (4)
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Set in 14th Century Prague, the Holy Roman Empire is plummeting into chaos after the death of its reigning emperor while brothers King Wencelas of Czech and King Sigismund of Hungary battle for control of the empty throne. Handsome, righteous mercenary leader Jan Zizka is hired by Lord Boresh to kidnap the powerful Lord Rosenberg’s fiancée, Katherine, in an attempt to prevent Rosenberg’s rise to power alongside Sigismund and ultimately foil Sigismund’s plot to take the crown. As Katherine becomes caught in a dangerous political game between sides, Jan falls in love with her. Turning against his own religious and political faith, Jan fights back with a rebel army in an attempt to save Katherine and battle against the corruption, greed and betrayal rampant amongst those clawing for power. (The Avenue Entertainment)
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Reviews (16)
I might be one of the few who gave this film five stars, but I have my reasons. Sure, the story was a bit confusing at first. It took some effort to figure out the medieval power plays and motivations. And yes, the action scenes were chaotic, and it was hard to tell who was winning at times. There are also historical inaccuracies, but considering a respected historian worked on the film, and given the scant details from that era, I'm willing to overlook them. Why? Because Petr Jákl has crafted a compelling story about one of the most important figures in Czech history. The gritty medieval atmosphere is fantastic, and the score, featuring multiple renditions of "Ktož jsú boží bojovníci," is stunning. Shot in a Hollywood style with a strong international cast, everyone delivers excellent performances. Ben Foster as Jan Žižka and Sophie Lowe as Katherine were particularly impressive. Filmed in the beautiful Czech landscape with its historic castles, the movie showcases our country to the world. It's fulfilling to see Czech medieval history brought to life in a way that makes it accessible and intriguing to a global audience. Jákl's effort to sell this film to America is a rare feat, making Medieval a unique accomplishment unlikely to be repeated soon. This film doesn't just tell an important story; it serves Czech heritage on a global stage. For all these reasons, I gave it five stars. It narrates a great tale from our past and does a tremendous service to the Czech national pride. I hope people enjoy it and learn more about the era instead of nitpicking. This film deserves appreciation, not unfounded criticism.
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When I came out of the cinema, I was so resigned. I wanted for Jan Žižka to be a good film, and I wished it for myself. But two days passed and the situation changed a bit. Well, enough. I don't really know what to praise about Petr Jákl's latest film, but I also can't say I suffered with it. Overall, it's "just" not very good. Honestly, the twenty-three million dollar budget doesn't show in the result, but that's the least of the problems. The bigger problem is the awfully cluttered fight scenes, but the worst by far is the actual presentation of the story. Sod historical accuracy, whether the armor is period appropriate, that sort of thing. Of course, the fact that Žižka is a woefully flat character with no working motivation and Ben Foster spends most of the time floundering is already a problem. As is the entire second half, which consists more or less of running around the woods, swapping prisoners and looking for someone who just hid somewhere. I can only praise Roland Møller's villain, but the rest is mediocre at best, lacking directorial ideas, an interesting story and anything else that would be worth paying attention to. A Czech big movie of Hollywood standards this is certainly not.
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The fact that Jan Žižka doesn't come across as unintentionally funny at any point, as I was a little afraid it would, can be considered a small victory. Production-wise, the film is solid, but it fundamentally fails in its narrative. I just couldn't get into the story. It's opaque both at the level of the dramatic arc of political scheming and at the level of individual scenes, where it would help to understand the who and the where, but we can’t. What works well, though, are the brutality sequences. It could have been a solid 80-minute dirty medieval carnage, but when there were ambitions for a bigger Hollywood movie, alas. By the way, I don't really understand why someone makes a film called Jan Žižka and choose a period in Žižka's life that nobody knows anything about, so the plot is completely fabricated. I'm not criticizing it in the sense that I'm projecting it into my rating, I just don't get it.
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After years of promises and media hype, it's here! And within five minutes of watching it, everyone would rather just forget about it. I suppose nobody had much expectations, but I was hoping for at least an enjoyable portion of filmmaking. What I got instead was a grinding grey amateurish borefest, full of the most tedious pathos and jaded actors' faces. Aside from the endless hunt for the macguffin that is the female lead, and a throwaway shot of a three-way that the ruler wants to scheme on, the script offers nothing but a hodgepodge of the most hackneyed movie clichés you can imagine. There’s no characterisation of characters, there are no interesting dialogues, there’s no clear storytelling, there’s no dramaturgy, there’s no pace. Jan Žižka represents the purest grey you could get from the most expensive Czech production.
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Forget the clichéd portrayal of the Middle Ages and the historical inaccuracies that abound also in Braveheart, Robin Hood, Kingdom of Heaven and the like, I have another problem: what is Jan Žižka really about? What’s its idea? I got lost in the intrigue of "who, with whom and why", I was bored by the second third of the film, which dragged on enormously without much happening in it, and I wasn't very interested in Žižka's emergence, because there was hardly any of it. Žižka was almost always the same Žižka from the beginning to the end, the routine script didn't provide any big surprises. However, what Petr Jákl the (co)screenwriter failed to do, Petr Jákl the director masked quite skillfully, but also in no revelatory way (the battles, or rather skirmishes, are desperately muddled and sometimes look ridiculous, but for example the scene with the lion is really great), and above all Petr Jákl the producer, who managed to get really, really, really good actors, led by a fine Ben Foster and including Michael Caine, who I never thought I would see in a Czech film, let alone Jan Žižka. In spite of all the criticisms, I have to wish the film success, because it is a revelation in domestic filmmaking in a good sense (I don't want to write like a one-eyed man among the blind), and I would like it to show that Czechs can produce something other than romantic comedies and communist dramas. However, if anyone in our country has managed to make a great film of world quality in recent years, it was Václav Marhoul (and he actually made two).
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