Directed by:
Shane BlackCinematography:
Larry FongComposer:
Henry JackmanCast:
Boyd Holbrook, Trevante Rhodes, Jacob Tremblay, Keegan-Michael Key, Olivia Munn, Thomas Jane, Alfie Allen, Sterling K. Brown, Augusto Aguilera, Jake Busey (more)VOD (4)
Plots(1)
From the outer reaches of space to the backwoods of southern Georgia, the hunt comes home in Shane Black’s explosive reinvention of the Predator series. Now, the universe’s most lethal hunters are stronger, smarter and deadlier than ever before. And only a ragtag crew of ex-soldiers and an evolutionary biology professor can prevent the end of the human race. (20th Century Fox)
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Reviews (15)
Shane Black upgrades everything imaginable, sets a fast pace and, especially with Dolby Atmos,
successfully fulfills the requirements of a hit action movie (it’s taken up a level by the high-powered
climax). What does not work, however, are the characters – there are quite a lot of them, not one of
which is likable or interesting (Jacob Tremblay’s boy had “Spielbergian” potential but failed to fulfill
it). The attempts at humor and coolness don’t work; moreover, they’re here at the expense of the
atmosphere and tension for which I love the first installment and don’t mind the second. This one is a
more action-packed and imaginative, but not much smarter Paul W.S. Anderson’s Alien vs. Predator.
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As if the Predator got into the hands of Carpenter in the mode of Big Trouble in Little China / Escape from XY. Yes, it's a truly B-rate nonsense. Yes, it's stuck time. Yes, it has little in common with the Predator. But it's extremely fun; sometimes intentionally (it typically uses one-liners in a Black style) and sometimes not (it does not hold together and does not make the slightest sense). Which doesn´t mind because whether it's silly, degraded, B-rate in terms of one-liners, it's just fun at all times. I this movie had been made a decade earlier, it would have been a cult movie today. So, the worse Predator, the better the B-movie. And it´s a damn good B-movie.
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A new comic-book toilet flush from Marvel, or maybe even worse, DC, who coincidentally feature the Predators. You piss me off, Hollywood. Why is it that there are almost no good adult films produced anymore? Why is it that when studios pour a lot money, what comes out is uniform, sterile infantility? There is plenty of blood and it does fuck things up all the way to 11, but it has the mental level of a six year-old kid. The characters must utter stupid one-liners and jump 10 metres up in the air, even is nothing is happening, and fearlessly balance on a moving bus and a flying spaceship (!!!). Plus a cute clever boy and a domesticated predator dog. Did we fucking need any of that, really? In a Predator film? In the first half, at least the humour works sometimes, but in the second half, absolutely nothing. It falls apart to such extent that you can even see massive editing mistakes, when there isn’t a fundamental continuity between two consecutive scenes. It is as if parts of it were missing (I got scared at the transition from the barn to the helicopter, I thought I had fallen asleep for a moment). Shane Black deserves nothing but hell from this. And maybe people will start retroactively appreciating Antal’s well executed Predators.
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I wish it was an homage to the classic, a witty, self-absorbed genre film, or at least a guilty pleasure for a Predator geek, but it’s none of that. A wannabe comedy, stupid action movie where one situation out of a hundred is funny, with a story written by someone who is either from high school and loves the Predator universe or a professional screenwriter who hates the universe and was under the influence of narcotics. Moreover, the solid bloodbath is ruined by unnecessary and not very accomplished CGI. Only put it on if the hunting toys, the killer instinct of the villain and the music from the original film were something memorable for you.
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I love that Shane Black wrote and filmed it his way and didn't merely need to slavishly reference the original, like Predators did last time. He simply made a typical comedy full of verbal wars and unexpected situations (in which once again a child in danger plays an important role, but who is far from defenseless), and although he was mostly interested in entertainment, there is also a decent amount of tension. Even though I have a few reservations, mainly about the beginning and the end, I'm still very satisfied. I was also pleased by the unknown but sympathetic actors (Black's screenwriter helped them a lot by ensuring the viewer would like them, and their deaths are therefore seriously impressive), and I have to praise Henry Jackman, too, who played with Silvestri's music in a much more original way than John Debney did last time.
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