Directed by:
Shane BlackCinematography:
Philippe RousselotCast:
Russell Crowe, Ryan Gosling, Angourie Rice, Matt Bomer, Margaret Qualley, Yaya DaCosta, Keith David, Beau Knapp, Lois Smith, Murielle Telio, Gil Gerard (more)VOD (2)
Plots(1)
The Nice Guys takes place in 1970s Los Angeles, when down-on-his-luck private eye Holland March (Gosling) and hired enforcer Jackson Healy (Crowe) must work together to... (Warner Bros. US)
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Reviews (14)
Russel Crowe and Ryan Gosling were born for roles like these. They make fun of themselves, but not in a very obvious way. That’s what the movie itself is like. It is funny, but at the same time isn’t primarily about the humor, it is rather a typical detective story from the 1970s. However, when there is a hilarious scene it has such an impact that you will want to rewatch it a couple of times after the first viewing. During the remainder of the time, you hope for something mindblowing to come any minute now and so you are observing, lurking, and you appreciate every moment that makes you laugh. Every joke is actually filmed so originally that the ending will make you sad. Even though I wasn’t that impressed with the first half of the crime story, the second half was a lot better. But the humor reigned for the whole 2 hours. I even have a feeling that you will not find a funnier movie from the year 2016.
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Black is a wisecracker and he knows how to write characters, fully humanize them, and then let them sprinkle (not only) verbal humor in dialogue exchanges that make the audience squirm. Yet the entire film is covered by such a terribly lame and in many moments transparent crime plot that it wouldn't even hold up as a retro episode of CSI. If the investigative aspects hadn't been taken so seriously (a take on so many strong social themes) and had settled for more self-deprecating silliness, it would be a genre perennial. [It dissipated quickly the day after I watched it.] 3 ½.
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Starsky & Hutch by Shane Black. What's not to love? Perhaps only the disparity between the silly buddy comedy storyline loaded with one-liners (I haven't laughed so loud in the movie theater for a long time) and the regular gritty crime storyline, which is clearly only a makeweight, but for a long time is much more refined than it turned out to be eventually and in the final scene it is clearly too slow. In other words, both in terms of the story in a style like"nothing is going on" and in terms of comedy, it´s absolutely flawless. And I look forward to a sequel, the two of them get together in terms of mutual chemistry so unusually and in a unique way (after all, see for yourself. It would be terribly unfortunate not to give them proper space. However, the best movie in this department is still Zootropolis.
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I feel sorry for not giving this nice chill-out movie four stars, but if you’ve seen the best of Shane Black, you’d know he
didn’t hit the bull’s eye with this one. The Crowe/Gosling duo is great, their catchphrases are cool and the atmosphere
of 1980s L.A. might be the best since L.A. Confidential. But the plot the guys are dealing with is watery and uninteresting,
barely even there.
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Shane Black appeals to me just by the way he still bets on his overdubbed, voiceover-guided format even after years, but this time he just made it by a hair's breadth. The storyline scissors are very wide open and it takes almost twelve minutes to really cut with them. He unnecessarily complicates the different threads and it takes quite a few dozen minutes before it becomes clear to us who, with whom, and how. Fortunately, one weapon is hiding in this arsenal that kicks strongly as expected. It's Ryan Gosling, who again does everything to not be categorized in any way and thanks to the anti-intelligence displayed here, he reliably sent me to my knees several times. His March is so genuinely passionate and yet completely useless that it even overshadows the reliable bulldog next to him. 70% and a fourth star if I look the other way, and for how obvious it is that the central trio enjoyed this nonsense seriously and with taste.
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