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In the world's first action-adventure film shot entirely from a first person perspective, a resurrected cyborg named Henry must fight through the streets of Moscow in pursuit of his kidnapped wife. (Showtime)

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Reviews (14)

POMO 

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English The ultimate bachelor party with a lot of thoughtful details, Hardcore Henry is violent, bloody, witty, furious and visually stunning. It is an important genre event (somebody finally got it right!) and I believe that someone in the future will put this concept on a more complex story and thus make a breathtaking point. Then I will be the happiest man alive. ()

Kaka 

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English In terms of innovation of the action genre, it’s only an appetiser, because Hardcore Henry is far from a full-fledged cinematic experience. There’s no plot and the frantic sequence of action scenes can’t disguise the feeling that this farce is merely a consumer piece with a short shelf-life. Original, technically very accomplished, but also exhausting almost to the max. And this time there was no need for a second or third part, 90 minutes of the first one was enough. ()

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3DD!3 

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English A mainline adrenaline hit straight to a player’s heart. Memories of Far Cry, GTA, Crysis and other games and others come rushing at you with every minute of the movie. Sharlto Copley’s and his amazing antics drag this movie forward, but the real hero is Naishuller, who pieced the movie together. Great music. A feelgood movie. ()

Stanislaus 

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English Harcore Henry is definitely not a film for everyone, no question about it, but it impressed me as a viewer. You could say it's a kind of PC version of Kill Bill, riding a huge action wave of violence, blood, swearing, but also jokes and black humour (mostly provided by Sharlto Copley) from beginning to end. On top of that, everything is seen in first person, which makes the cinema experience all the more intense. As a result, this is a brisk flick that really has balls (unlike the one sleazy cop in the film), isn't afraid to go for it and knows how to sell it properly. ()

Isherwood 

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English The pure fire of an avid fan of decadence who pursues the ultimate physical experience with the vigor of a Soviet bulldozer. The creative stubbornness is admirable, but dramaturgically it's pretty bad because, around the 60th minute, it starts to chafe. The frantic ending, however, lifts up the video game concept (literally) into high gear (arcade jumps included) and revs into the red. It’s a progressive genre detour, but unfortunately into a dead end. ()

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